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Nicelle Davis's collection The Language of Fractions explores the question of whether we love wholly or only in parts. Employing found poetry, Davis raises issues of omphalophobia, love over time, missed communication, superficiality, and environmental destruction. Through her use of juxtaposing images and writing styles, Davis shows how love can be fragile and can often fail. The Language of Fractions does not simply comment on love, but also paints a picture of a broken world. It obsesses over the question: Do we love wholly or only in parts?
Poetry. Art. IN THE CIRCUS OF YOU is a deliciously distorted fun house of poetry and art by Nicelle Davis and Cheryl Gross. Both private and epic, this novel-in-poems explores one woman's struggle while interpreting our world as a sideshow, where not only are we the freaks, but also the onlookers wondering just how normal we are--or ought to be. Davis' poetry and Gross' images collaborate over the themes of sanity, monogamy, motherhood, divorce, artistic expression, and self-creation to curate a menagerie of abnormalities that defines what it is to be human. The universe of this book is one in which dead pigeons talk, clowns hide in the chambers of the heart, and the human body turns itself inside out to be born again as a purely sensory creature. This grotesquely gorgeous peep show opens the velvet curtains on the beautiful complications of life.
Nicelle Davis's powerful debut poetry collection, Circe, masterfully chronicles the complex inner life of this all too human enchantress from Greek mythology. Primarily narrated by Circe herself, the book records her post-Odysseus "withdrawal"... Her laments are interrupted and enriched by a series of poems voiced by a bevy of canny and dangerous sirens. Their incantatory "recipes" produce a provocative admixture of visceral wisdom and sensual bravado... Circe is a deeply moving, endlessly inventive, and enlightening exploration into the terrors of abandonment, the ageless plight of aggrieved women, and the bittersweet and sustaining powers of love. Nicelle Davis has given us an entirely new and riveting version of Circe, a woman painfully scorned, whose path towards healing leads her into a greater awareness of herself. -Maurya Simon, author of Cartographies Nicelle Davis' work emerges from the origins of light and fire, quickly, wildly and with cracks from which tendrils emerge, a longing for sense to be made for those left behind by Odysseus, those sirens, singing gasps of poetry. This poetry wills the reader into a time/space where light burns and language runs off the edge of the world. -Kate Gale, author of Mating Season "To fight the quiet, I talk to my selves," Circe says. Nicelle Davis's poems are the manysided chorus of that complicated character: passionate and resigned, angry and forgiving. They shimmer with Circe's energy and despair, and, most of all, with her love: for her son, for Odysseus, finally even for his wife Penelope. Not least, Davis's vibrant language is a love song for us, her readers and listeners, "entering me with my eye / in your palm-seeing my face, not / as a void, but a window." -Dawn Potter, author of How the Crimes Happened "There was never enough about the sirens," says the foreword to Nicelle Davis's book of poems, which then remedies that omission by giving voice to the "other woman" of the Odyssey. "I thought love would swallow pain," says Circe, whose Homeric version turns her enemies into animals. The magic in Nicelle Davis's poems, however, is the blend of anger, regret, and love that spurs them-the complicated brew that poetry exists to make clear. -Natasha Saje, author of Bend
A woman is buried alive so a church might rise-this ancient tradition of immuring women alive continues today-Davis's collection The Walled Wife attempts to tear those walls down.
The second collection by Nicelle Davis, Becoming Judas is an "elemental bible-diary-manifesto," a hypertext that weaves together Mormonism, Mamaism, Manson, Lennon, the Kabbalah, and the lost Gospel of Judas into an ecstatic, searing meditation on raw religion.
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