Bøger af Nicholas Delbanco

ABOUT THE BOOK Novelist, critic, essayist, screenwriter, teacher, traveler, and art aficionado, Nicholas Delbanco has here compiled a mosaic of his life as he glances backwards and forwards from the vantage point of his eightieth year. Each home relocation with its inevitable remodeling becomes a metaphor for the reconstruction of the self over his lifetime. In episodic riffs, Still Life at Eighty revisits seven houses where Delbanco welcomed a panoply of literati, such as Mary Ruefle, Mary Lee Settle, Mary Robison, John Ashbery, John Cheever, John Irving, and John Updike. Each abode becomes a receptacle of memory, as he recalls his friendships with the likes of James Baldwin, Grace Paley, Frederick Busch, Donald Barthelme, and Russell Banks.  Still Life at Eighty is saturated with artistic appreciation, which colors Delbanco’s life from early childhood to his eightieth year. The grandson of collectors (whose paintings were plundered by the Nazis), nephew of a London gallerist, son of an accomplished painter, and a collector himself, Delbanco summons his reminiscences of art, artifacts, and artists as he pivots from a youthful artistic apprenticeship to become a prolific professional writer, sustained, and inspired by his wife of fifty-three years, Elena; his daughters, Francesca and Andrea; and five granddaughters. Delbanco finds solace in the things of this world: a Biedermeier desk, an Ekoi mask, and an instrument case that held the fabled Countess of Stanlein ex-Paganini Stradivarius Violoncello of 1707—all reminders of a treasured past. Together with these cherished artifacts, former homes, and the myriad writers and artists who slip in and out of this erudite memoir, Still Life at Eighty makes readers privy not only to Delbanco’s rich experiences, but also to the vast aesthetic wealth of his long life.

*a novel that incorporates not only a fictionalized history of Delbanco's own extraordinary family history but also re-imagines the turbulent history of emigrant German Jews in the twentieth century

One of America's leading literary scholars explores the fascinating question of why some people's creative talents flourish with age while others' fade.

Ruminates on the life of the writer and the significance of language as art. This title takes as its central conceit a famous anecdote about Ernest Hemingway's early work: Hemingway's first wife, Hadley, going by train from their apartment in Paris to visit him in Switzerland, brought along, at his request, a suitcase full of his work-in-progress.

Now finally collected into a single volume, the Sherbrookes trilogy-Possession, Sherbrookes, and Stillness-is Nicholas Delbanco's most celebrated achievement. Centering upon one New England clan and their estate in southwestern Vermont-a full thousand acres, including the bleak and chilly Big House, from which the volatile Sherbrookes have such trouble escaping-these books form a virtuoso portrait of the love, pride, resentment, and even madness we inherit from our families. Written in his characteristically opulent, bravura prose, Delbanco is here revealed as a Henry James for our time: a passionate cataloger of human strength and frailty. Edited and revised by the author some thirty years after its first publication, the trilogy-"e;made new"e; as the single-volume Sherbrookes-can now be rediscovered by a new generation of readers.

Weaves varied reflections to reveal an understanding of the relationships among literature, the past, and the world around us. Describing trips to such diverse destinations as Namibia; Afghanistan; Bellagio, Italy; and the Bellagio in Las Vegas, this book conveys the apprehension of visiting new places.