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In the early 19th century there was a huge surge forward in travel of all kinds. Queen Victoria's accession in 1837 came barely a year after John Murray's first guidebook was published. Then in 1838 Bradshaw's famous portable railway timetable appeared. In 1841 Thomas Cook, the world's first travel agent, organised its first tour (from London to Leicester and back by train). The age of mass tourism had arrived. Side by side with it another phenomenom began to develop: exploration to wilder shores and uncharted lands. This is the focus of Nicholas Murray's fascinating book which draws upon the extraordinary stories of Livingstone's journey across Africa; Burton and Speke reaching Lake Tanganyika; John Stuart crossing Australia from south to north; Livingstone reaching the Zambezi; Richard Burton's travels across Arabia, and countless others' extraordinary and brave expeditions.
The grandson of biologist T. H. Huxley, Aldous Huxley had a privileged background and was educated at Eton and Oxford despite an eye infection that left him nearly blind. Having learned braille his eyesight then improved enough for him to start writing, and by the 1920s he had become a fashionable figure, producing witty and daring novels like CROME YELLOW (1921), ANTIC HAY (1923) and POINT COUNTER POINT (1928). But it is as the author of his celebrated portrayal of a nightmare future society, BRAVE NEW WORLD (1932), that Huxley is remembered today. A truly visionary book, it was a watershed in Huxley's world-view as his later work became more and more optimistic - coinciding with his move to California and experimentation with mysticism and psychedelic drugs later in life. Nicholas Murray's brilliant new book has the greatest virtue of literary biographies: it makes you want to go out and read its subject's work all over again. A fascinating reassessment of one of the most interesting writers of the twentieth century.
This gripping biography of the great Czech novelist, diarist and short story writer chronicles Kafka's entire (if tragically curtailed) life (1883-1924), but it focuses upon the writer's relationship to his father and his inheritance as a member of the Jewish mercantile bourgeoisie in Prague. Born into a German-speaking Jewish family, Kafka was a subject of the Austro-Hungarian empire until 1919 yet through his work he is one of the most modern of writers. While previous works have concentrated on Kafka and his women, Nicholas Murray will concentrate on his extraordinary relationship with his father which found its most eloquent literary expression in the story 'The Judgement' written in 1912 when Kafka was twenty-nine:in a reverse Oedipal move, the father condemns his son to death by drowning. This work is essential for an understanding of the intensely private and complex Kafka and the kind of writer he turned out to be - the creator in THE CASTLE, THE TRIAL and METAMORPHOSIS (the dazzling short story whose hero wakes up to find himself transformed into a giant insect) of some of the defining literature of the 20th century.
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