Bøger af Nicole Brossard

Carla Carlson is at the Hotel Clarendon in Quebec City trying to finish a novel. Nearby, a woman, preoccupied with sadness and infatuated with her boss, catalogues antiquities at the Museum of Civilization. Every night, the two women meet at the hotel bar and talk about childhood and parents and landscapes, about time and art, about Descartes and Francis Bacon and writing.When Yesterday, at the Hotel Clarendon appeared in French (as Hier), the media called it the pinnacle of Brossards remarkable forty-year literary career. From its intersection of four women emerges a kind of art installation, a lively read in which life and death and the vertigo of ruins tangle themselves together to say something about history and desire and art.

"This bilingual edition of Nicole Brossard's exuberantly lyrical collection, entitled in English Distantly, is a sequence of lush, taut cityscapes. Known for her elliptical and materially grounded poetics, Brossard creates in Distantly an intimate series drawn loosely from urban experience. The poems are linked by their city settings, drawn from a woman's observations, emotions, perceptions, and dreams as she wanders the streets of her world. The cities of the individual poem titles are evocatively conjured rather than realistically described. Taken together, these poems distill postmodern urban life through their sharp flash sketches of cultural and gendered histories of violence and beauty, personal and shared struggles for survival and intimacy. Distantly expresses a redolently postmodern sensibility, at once utopian and real"--

The definitive survey of an essential feminist poet.In June 2019, Nicole Brossard was awarded the Lifetime Recognition Award from the Griffin Poetry Trust. Rarely has a prize been so richly deserved. For five decades she has writing ground-breaking poetry, fiction, and criticism in French that has always been steadfastly and unashamedly feminist and lesbian.Avant Desire moves through Brossard's body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers.Through their selections, the editors trace Brossard's fusion of lesbian feminist desire with innovation, experimentation, and activism, emphasizing the more overtly political nature of her early work and its transition into performative thinking.Devotees of Brossard will be invigorated by the range of previously unavailable materials included here, while new readings will find a thread of inquiry that is more than a mere introduction to her complex body of work. Avant Desire situates Brossard's thinking across her oeuvre as that of a writer whose sights are always cast toward the horizon.

What characterizes women as a group is our colonized status. To be colonized is not to think for oneself, to think on behalf of "e;the other"e;, to put one's emotions to work in service of "e;the other"e;. In short, not to exist.Nicole Brossard is known internationally for her writings on writing, on feminism and on lesbian existence. This edition released for a new wave of feminist outrage is a book full of spirit, energy, insight and chutzpah. She is a major voice in contemporary literature with incisive and hard-hitting essays about feminist imagination and culture.I believe there's only one explanation for all of these texts: my desire and my will to understand patriarchal reality and how it works, not for its own sake but for its tragic consequences in the lives of women, in the life of the spirit. Years of anger, revolt, certitude and conviction are in The Aerial Letter, years of fighting against the screen which stands in the way of women's energy, identity and creativity.-Nicole Brossard

Now available in a handsome A List edition, this collection from celebrated poet, novelist, and essayist Nicole Brossard, is a provocative investigation of the human body -- our physical and spiritual museums of identity and desire.

"e;Pleasure,"e; Jennifer Moxley writes in her introduction to this volume, "e;is the word that first comes to mind at the mention of Nicole Brossard's poetry."e; This volume provides English-language readers with an overview of the life and work of Nicole Brossard, poet, novelist, and essayist, who is widely recognized in her native Quebec and throughout the French-speaking world as one of the greatest writers of her generation. Brossard's poetry is rooted in her investigations of language, her abiding commitment to a feminist consciousness, and her capacity for renewing meaning as a virtual space of desire. The reader enters a poetic world in which the aesthetic is joined with the political, and the meaning of both is enriched in the process. The selections in this volume include translations of some of Brossard's best-known works-Lovhers, Ultra Sounds, Museum of Bone and Water, Notebook of Roses and Civilization-along with short prose works, an interview with Brossard, and a bibliography of works in French and English, and constitute the most substantial English-language sampling published to date of one of Canada's greatest living poets.

"e;White Piano holds an acute sense of what poetry is, its danger. . . . Brossard knows well that 'life is only good for living' and that living is incarnated in the material of language, that sounds, those carriers of sense, can propel it in front of the world."e;Le DevoirBetween the verbs quivering and streaming, White Piano unfolds its variations like musical scores. Pronouns and persons, poetry and prose: White Piano, superbly translated from the French, narrates a constellation of questions and offers a "e;language that cultivates its own craters of fire and savoir-vie."e;Nicole Brossard is one of North America's foremost practitioners of innovative writing.

The heat of summer on an earlobe, a parking meter, the shadow of crabs and pigeons under a cherry tree, an olive, a shoulder blade in the poems of Nicole Brossard these concrete, quotidian things move languorously through the senses to find a place beyond language. Taken together, they create an audacious new architecture of meaning.Nicole Brossard, one of the worlds foremost literary innovators, is known for her experiments with language and her groundbreaking treatment of desire and gender. This dextrous translation by the award-winning poets and translators Erin Moure (Little Theatres) and Robert Majzels (Apikoros Sleuth) brings into English, with great verve and sensitivity, Brossards remarkable syntax and sensuality.

First published in 1987, Nicole Brossard's classic novel returns to Coach House in a new edition. A seminal text in Canadian and feminist literature, Mauve Desert is a must-read for readers and writers alike.This is both a single novel and three separate novels in one. In the first, Mauve Desert, fifteen-year-old Mlanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book Mauve, the horizon is Laures's eventual translation of Mauve Desert. Like all good translations, it is both the same and revealingly different from the original.Nicole Brossard's writing is agile and inventive; from moment to moment gripping, exhilarating and erotic. Her language drifts and swells like sand dunes in a desert, cresting and accumulating into a landscape that shifts like wind and words; she translates the practice of translation, the pulse of desire.

Invited to a quiet Swiss chteau by the enigmatic Tatiana Beaujeu Lehmann, Anne begins to slowly write a novel in a language that is not hers, a language that makes meaning foreign and keeps her alert to the world and its fiery horizon.Will the strange intoxication that takes hold of her and her characters sculptor Charles; his sister Kim, about to leave for the far north; and Laure Ravin, a lawyer obsessed with the Patriot Act allow her to break through the darkness of the world?Fences in Breathing, first published and critically lauded in French as La capture du sombre, and now brought into English by the celebrated translator Susanne de Lotbinire-Harwood, is a disquieting, dexterous and defiant missive, another triumph by one of North America's foremost practitioners of innovative writing.

Nicole Brossard's lucid, subversive and innovative work on language has influenced an entire generation of readers and writers. But three of her seminal works of postmodernism and feminism have been lost to us for years. The Blue Books brings them back. A Book: A novel about a novel; five characters in "e;search of a narrative, a narrative in search of an author."e; Brossard's first novel, and a key work in Canadian postmodernism. Turn of a Pang (Sold-out in French): Quebec's 1943 Conscription Crisis and the 1970 War Measures Act weave together to form the texture of a woman's life. French Kiss: a celebration of the energy of women and language in the face of the male authorities of Montreal politics and the physical authority of the printed (and bound) word.The Blue Books collects these three long-out-of-print, groundbreaking Brossard titles, in their original Coach House Press English translations (A Book by Larry Shouldice, Turn of a Pang and French Kiss by the acclaimed Patricia Claxton). Don't be blue: these Brossard classics are back!

The poems in Mobility of Light were chosen by Louise Forsyth to elicit a sense of these whirling garlands and convey the intense energy - physical, creative, spiritual, erotic, imaginative, playful, ethical, and political - that has carried Nicole Brossard to a uniquely significant vision of the human spirit.

A novel first published in French in 1982, 'Picture Theory' demonstrates Nicole Brossard's fiction théorique and her preoccupation with the difficulty of writing and reading woman. The title (taken from Wittgenstein) implies her reference to the hologram as a new pictorial model for woman; like the hologram which is intended to be read from an infinite number of changing conditions, Brossard's text abstracts the image of the feminine so that it can be read from all angles. Centred on four women, this novel of lesbian love moves from Curaçao to Montreal, from New York to Paris. Essentially, Picture Theory poses the question of what is a novel.