Bøger af Nikolai Gogol

Gogol's 1842 novel Dead Souls, a comic masterpiece about a mysterious con man and his grotesque victims, is one of the major works of Russian literature. It was translated into English in 1942 by Bernard Guilbert Guerney; the translation was hailed by Vladimir Nabokov as "e;an extraordinarily fine piece of work"e; and is still considered the best translation of Dead Souls ever published. Long out of print, the Guerney translation of Dead Souls is now reissued. The text has been made more faithful to Gogol's original by removing passages that Guerney inserted from earlier drafts of Dead Souls. The text is accompanied by Susanne Fusso's introduction and by appendices that present excerpts from Guerney's translations of other drafts of Gogol's work and letters Gogol wrote around the time of the writing and publication of Deal Souls. "e;I am delighted that Guerney's translation of Dead Souls [is] available again. It is head and shoulders above all the others, for Guerney understands that to 'translate' Gogol is necessarily to undertake a poetic recreation, and he does so brilliantly."e;—Robert A. Maguire, Columbia University "e;The Guerney translation of Dead Souls is the only translation I know of that makes any serious attempt to approximate the qualities of  Gogol's style—exuberant, erratic, 'Baroque,' bizarre."e;—Hugh McLean, University of California, Berkeley "e;A splendidly revised and edited edition of Bernard Guerney's classic English translation of Gogol's Dead Souls. The distinguished Gogol scholar Susanne Fusso may have brought us as close as the English reader may ever expect to come to Gogol's masterpiece. No student, scholar, or general reader will want to miss this updated, refined version of one of the most delightful and sublime works of Russian literature."e;—Robert Jackson, Yale University

It is the night before Christmas and devilry is afoot. The devil steals the moon and hides it in his pocket. He is thus free to run amok and inflicts all sorts of wicked mischief upon the village of Dikanka by unleashing a snowstorm. But the one he'd really like to torment is the town blacksmith, Vakula, who creates paintings of the devil being vanquished. Vakula is in love with Oksana, but she will have nothing to do with him. Vakula, however, is determined to win her over, even if it means battling the devil.Taken from Nikolai Gogol's first successful work, the story collection Evenings on a Farm Near Dikanka, The Night Before Christmas is available here for the first time as a stand-alone novella and is a perfect introduction to the great Russian satirist.

Chichikov is willing to relieve their owners of the tax burden by buying the titles for a song. What he does not say is that he then proposes to take out a huge mortgage against these fictitious citizens and buy himself a nice estate in Eastern Russia. Will he get away with it? Who will rumble him?

Also including the 'Diary of Madman', this new translation of Petersburg Tales paint a critical yet hilarious portrait of a city riddled with pomposity and self-importance, masterfully juxtaposing nineteenth-century realism with madcap surrealism, and combining absurdist farce with biting satire.

Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale;

Chichikov, a middle-aged gentleman of middling social class and means arrives in a small town and turns on the charm to woo key local officials and landowners. He reveals little about his past, or his purpose, as he sets about carrying out his bizarre and mysterious plan to acquire "dead souls." When rumors flare up about his ideas, Chichikov flees to another part of Russia and attempts to continue his venture. Again he goes from estate to estate, encountering eccentric and absurd characters all along the way. In the Russian Empire, before 1861, landowners had the right to own serfs to farm their land. Landowners could buy, sell or mortgage them, as any other chattel. To count serfs (and people in general), the classifier "soul" was used: e.g., "six souls of serfs." The plot of the novel relies on "dead souls" (i.e., "dead serfs") which are still accounted for in property registers. On another level, the title refers to the "dead souls" of Gogol's characters, all of which represent different aspects of poshlost, a Russian word that means petty evil, vulgarity, or obscenity and bad taste.This case laminate collector's edition includes a Victorian inspired dust-jacket.

Collected here are Gogol's finest tales - stories which combine the wide-eyed, credulous imagi-nation of the peasant with the sardonic social criticism of the city dweller - allowing readers to experience anew the unmistakable genius of a writer who paved the way of Dostoevsky and Kakfa. The wholly unique blend of satire and realism that Gogol crafted established his reputa-tion as one of the most daring and inventive writers of his time.

Dead Souls (Russian: ¿¿¿¿¿¿¿ ¿¿¿¿, Mjórtvyje dúshi) is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The novel chronicles the travels and adventures of Pavel Ivanovich Chichikov (Russian: ¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿) and the people whom he encounters. These people typify the Russian middle-class of the time. Gogol himself saw his work as an "epic poem in prose", and within the book characterised it as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is regarded by some as complete in the extant form.

"The Nose" is a satirical short story by Nikolai Gogol written during his time living in St. Petersburg. During this time, Gogol's works were primarily focused on surrealism and the grotesque, with a romantic twist. Written between 1835 and 1836, "The Nose" tells the story of a St. Petersburg official whose nose leaves his face and develops a life of its own. "The Nose" was originally published in The Contemporary, a literary journal owned by Alexander Pushkin.The use of a nose as the main source of conflict in the story could have been due to Gogol's own experience with an oddly shaped nose, which was often the subject of self-deprecating jokes in letters.The use of iconic landmarks in the story, as well as the sheer absurdity of the story, has made "The Nose" an important part of St. Petersburg's literary tradition.

V sbornik voshli sledujushhie proizvedenija Nikolaja Gogolja: Vij Povest' o tom, kak possorilsja Ivan Ivanovich s Ivanom Nikiforovichem Nos Shinel' Revizor Zhenit'ba

Nikolai Gogol was one of the greatest writers of the golden age of Russian Literature. As friend of the Great Aleksandr Sergeeyivich Pushkin, the Shakespeare of Russian Literature, he helped Pushkin realize his genius and at the same time wrote some of the most famous and entertaining short stories of all the Gogol always had sympathy for the little guy, who was stuck in a dead end job, and the guy who had no voice. Gogol's stories are surreal, imaginative and impressive. Gogol shows you the roots of what Russian writers continued to excel at later with works like Metamorphosis (Kafka). He calls his stories tales (there are the Ukrainian Tales and the Petersburg Tales), and they most definitely are tales. They are the kind of stories you can tell around the campfire -- they are that unnerving and exhilarating. Yet they are social commentaries as well. These stories work on many levels because they are detailed, feature fantastic characters, and delve into fantasy. All the while you find unexpected twists and occurrences. It's sheer genius. This collection, which includes "Taras Bulba," is a fabulous introduction to both Russian literature and the work of Nikolai Gogol. "St. John's Eve," "The Cloak," "The Mysterious Portrait," "How the Two Ivans Quarreled," and "The Calash" are also included in this collection.

The Mysterious Portrait by Nikolai Gogol This lesser-known work is perhaps the perfect distillation of Nikolai Gogol's genius: a tale simultaneously animated by a joyful, nearly slapstick sense of humor alongside a resigned cynicism about the human condition. In a sharp-edged translation from John Cournos, an under-appreciated early translator of Russian literature into English, How The Two Ivans Quarreled is the story of two long-time friends who have a falling out when one of them calls the other a "goose." From there, the argument intensifies and the escalation becomes more and more ludicrous. Never losing its generous antic spirit, the story nonetheless transitions from whither a friendship, to whither humanity, as it progresses relentlessly to its moving conclusion. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. the mysterious portrait, the mysterious portrait melies, the mysterious portrait pdf, the mysterious portrait 1899, the mysterious portrait gogol summary

Tiene ciertas similitudes con El Quijote pues el protagonista Chíchikov junto con su cochero y un criado emprenden un viaje en su troika por los amplios territorios de la vasta Rusia deteniéndose en ciudades y aldeas con la intención de comprar almas, almas muertas.

The story centers on the life and death of Akaky Akakievich, an impoverished government clerk and copyist in the Russian capital of St. Petersburg. Akaky is dedicated to his job, taking special relish in the hand-copying of documents, though little recognized in his department for his hard work. Instead, the younger clerks tease him and attempt to distract him whenever they can. His threadbare overcoat is often the butt of their jokes. Akaky decides it is necessary to have the coat repaired, so he takes it to his tailor, Petrovich, who declares the coat irreparable, telling Akaky he must buy a new overcoat.

The Government Inspector, also known as The Inspector General, is a satirical play by the Russian and Ukrainian dramatist and novelist Nikolai Gogol. Originally published in 1836, the play was revised for an 1842 edition. Based upon an anecdote allegedly recounted to Gogol by Pushkin, the play is a comedy of errors, satirizing human greed, stupidity, and the extensive political corruption of Imperial Russia. According to D. S. Mirsky, the play "is not only supreme in character and dialogue - it is one of the few Russian plays constructed with unerring art from beginning to end. The great originality of its plan consisted in the absence of all love interest and of sympathetic characters. The latter feature was deeply resented by Gogol's enemies, and as a satire the play gained immensely from it. There is not a wrong word or intonation from beginning to end, and the comic tension is of a quality that even Gogol did not always have at his beck and call."

The Government Inspector, also known as The Inspector General, is a satirical play by the Russian and Ukrainian dramatist and novelist Nikolai Gogol. Originally published in 1836, the play was revised for an 1842 edition. Based upon an anecdote allegedly recounted to Gogol by Pushkin, the play is a comedy of errors, satirizing human greed, stupidity, and the extensive political corruption of Imperial Russia. According to D. S. Mirsky, the play "is not only supreme in character and dialogue - it is one of the few Russian plays constructed with unerring art from beginning to end. The great originality of its plan consisted in the absence of all love interest and of sympathetic characters. The latter feature was deeply resented by Gogol's enemies, and as a satire the play gained immensely from it. There is not a wrong word or intonation from beginning to end, and the comic tension is of a quality that even Gogol did not always have at his beck and call."

The corrupt officials of a small Russian town, headed by the Mayor, react with terror to the news that an incognito inspector (the revizor) will soon be arriving in their town to investigate them. The flurry of activity to cover up their considerable misdeeds is interrupted by the report that a suspicious person has arrived two weeks previously from Saint Petersburg and is staying at the inn. That person, however, is not an inspector; it is Khlestakov, a foppish civil servant with a wild imagination. Having learned that Khlestakov has been charging his considerable hotel bill to the Crown, the Mayor and his crooked cronies are immediately certain that this upper class twit is the dreaded inspector. For quite some time, however, Khlestakov does not even realize that he has been mistaken for someone else. Meanwhile, he enjoys the officials' terrified deference and moves in as a guest in the Mayor's house. He also demands and receives massive "loans" from the Mayor and all of his associates. He also flirts outrageously with the Mayor's wife and daughter.

Full text.Set sometime between the mid-sixteenth and early-seventeenth century, Gogol's epic tale recounts both a bloody Cossack revolt against the Poles (led by the bold Taras Bulba of Ukrainian folk mythology) and the trials of Taras Bulba's two sons. The sons study at the Kiev Academy and then return home, whereupon the three men set out on a journey to the Zaporizhian Sich (the Zaporizhian Cossack headquarters, located in southern Ukraine), where they join other Cossacks and go to war against Poland.The character of Taras Bulba, the main hero of this novel, is a composite of several historical personalities. It might be based on the real family history of an ancestor of Nicholas Miklouho-Maclay, cossak ataman Okhrim Makukha from Starodub, who killed his son Nazar for switching to the Polish side during the Khmelnytsky Uprising. Nicholas Miklouho-Maclay's uncle, Grigory Illich Miklouho-Maclay, studied together with Gogol in Nizhyn Gymnasium and probably told the family legend to Gogol.[1] Another possible inspiration was the hero of the folk song "The deeds of Sava Chaly", published by Mykhaylo Maksymovych, about Cossack captain Sava Chaly (executed in 1741 after serving as a colonel in the private army of a Polish noble), whose killing was ordered by his own father for betraying the Ukrainian cause.

Diary of a Madman is a farcical short story by Nikolai Gogol. Along with The Overcoat and The Nose, Diary of a Madman is considered to be one of Gogol's greatest short stories. The tale centers on the life of a minor civil servant during the repressive era of Nicholas I. Following the format of a diary, the story shows the descent of the protagonist, Poprishchin, into insanity. Diary of a Madman, the only one of Gogol's works written in first person, follows diary-entry format

Taras Bulba, el viejo jefe, se reencuentra con sus dos hijos, Ostap y Andrés, que han estudiado en un seminario de Kiev; hay abrazos, peleas, un exacto fresco de lo que para un cosaco de ley significa la vida en familia. Más tarde, los tres se unen al ejército cosaco, que se lanza a la conquista de diversos dominios polacos. Asistimos a combates, historias de amor, asedios y traiciones, junto a una recreación de las costumbres de época en aquellas duras estepas rusas. Las virtudes literarias de Taras Bulba supusieron el reconocimiento a la obra de Gogol y el inicio de su carrera literaria. Aunque Gogol no volvería a escribir este tipo de novelas, el tiempo ha convertido a Taras Bulba, como Como Ivanhoe o El jorobado de Notre Dame, uno de esos personajes inolvidables que siempre saben ganarse la tranquila admiración de todos sus lectores. *** Nikolai Gogol (1809-1852) fue uno de los escritores rusos más controvertidos y admirados de la época. Polémico y enfermizo, sus obras siempre fueron más allá de lo que él mismo pretendía, convirtiéndose en maestro de un realismo incesantemente perturbado por arrebatos fantásticos, alucinaciones e infernales pesadillas. Si Pushkin sienta las bases de la originalidad literaria rusa, él las perfecciona, y a la categoría de obra maestra. Original y compulsivo, brillante y contradictorio, Gogol ha escrito novelas y relatos que son imprescindibles para la comprensión del Siglo de Oro de las letras rusas. En él se armonizan todas las fuentes; su prosa y sus inolvidables personajes marcan, con meridiana claridad, el camino que deberán seguir Turgueniev, Dostoyevsky y Chejov.

Vechera na hutore bliz Dikan'ki (Chast' pervaja - 1831, Chast' vtoraja - 1832) - bessmertnyj shedevr velikogo russkogo pisatelja Nikolaja Vasil'evicha Gogolja (1809-1852), pervoe krupnoe ego proizvedenie, kotoroe srazu zhe prineslo emu izvestnost' i priznanie sobrat'ev po peru. Rabotaja nad knigoj, Gogol' ispol'zoval ukrainskie predanija, rasskazannye ego mater'ju, a pervuju iz dvuh chastej, kak priznavalsja pozzhe, ne hotel bylo pechatat', no ostavil, ibo na jetih stranicah chuvstvovalis' "sladkie minuty molodogo vdohnovenija." Kogda povesti vyshli v svet, Pushkin pisal o "Vecherah" "Oni izumili menja. Vot nastojashhaja veselost', iskrennjaja, neprinuzhdennaja, bez zhemanstva, bez chopornosti. A kakaja pojezija!.. Vse jeto tak neobyknovenno v nashej literature, chto ja dosele ne obrazumilsja." Emu vtoril Baratynskij: "Eshhe ne bylo u nas avtora s takoju veseloju veselost'ju... Slog ego zhiv, originalen, ispolnen krasok i vkusa." Strashnoe i smeshnoe, real'noe i misticheskoe udivitel'nym obrazom sosedstvujut na stranicah jetih bessmertnyh povestej, a bogatyj, obraznyj i tochnyj jazyk po pravu pozvoljaet otnesti jeto sochinenie Gogolja k nastojashhim shedevram mirovoj literatury" . Jeta kniga i segodnja ostaetsja odnim iz ljubimejshih chitateljami proizvedenij pisatelja. Illjustrirovannoe izdanie!

Unikal'nyj sbornik, ob#edinivshij pervuju (1835 g.), malo izvestnuju sovremennomu chitatelju, redakciju istoricheskoj jepopei Taras Bul'ba, neokonchennuju povest' Get'man, misticheskie povesti iz Vecherov na hutore bliz Dikan'ki i dve glavy iz malorossijskoj povesti Strashnyj kaban. Istorija Ukrainy, zhivye obrazy sil'nyh i smelyh ljudej, predannyh rodine i gotovyh otdat' zhizn' za ee nezavisimost', vypisany jarkimi kraskami, a v kartinah povsednevnoj zhizni i prazdnikov, v obychajah i sueverijah raskryt harakter ukrainskogo naroda. Raznoplanovye na pervyj vzgljad proizvedenija ob#edinjaet pronzitel'noe chuvstvo ljubvi k Ukraine, kotoruju vospel genial'nyj pisatel' Nikolaj Vasil'evich Gogol'.

Full text.A young priest is ordered to preside over the wake of witch in a small old wooden church of a remote village. This means spending three nights alone with the corpse with only his faith to protect him.

Sobytija knigi proishodjat v srede zaporozhskih kazakov, v pervoj polovine XVII veka. Istorija kazackogo vosstanija 1637-1638 godov, podavlennogo getmanom N. Potockim, legla v osnovu povesti N. V. Gogolja Taras Bul'ba i dala konkretnye primery dramaticheskih sudeb geroev.

Cuenta la historia de un insignificante y oscuro funcionario, Akaki Akakievich, cuya anodina existencia consiste en copiar constantemente todos los documentos que le proporcionan sus superiores, la gente importante, en una oficina de la administracion publica. Ante la oferta de subir un escalafon y ampliar sus actividades prefiere seguir como hasta el momento, cumpliendo su rutina, que por otra parte es lo unico que sabe y le gusta hace

"El Viy" es uno de los cuentos clásicos de terror menos conocidos, a pesar de estar escrito por el maestro de las letras rusas, Nikolai Gogol. Esta edición incluye doce ilustraciones realizadas para la misma. Publicado por primera vez en 1835, Gogol recrea y reinterpreta con maestría las leyendas inspiradas en la tradición ucraniana, llegando a ser reprobado por la crítica por la realista descripción de los monstruos infernales. Tres jóvenes estudiantes de Kiev parten de la ciudad para pasar las vacaciones de julio. Perdidos en el bosque, finalmente llegan a una alquería dónde pasar la noche. Pero Jomá Brut, un seminarista, tiene un horroroso encuentro con una bruja, a la que consigue dejar moribunda. Más tarde será obligado a rezar durante tres noches delante del ataúd de una bella joven fallecida en misteriosas circunstancias. Aunque el seminarista desea huir, los cosacos al servicio de la fallecida, no le dejan otra opción que encerrarse a solas en la iglesia junto al ataúd de la muerte dónde pasará tres noches terroríficas. Escrito con la habitual rica prosa de Gogol, "El Viy" no es sólo un cuento sobrenatural, sino también un reflejo del folclore y la vida en la Ucrania de la época, aunando lo fantástico con lo cotidiano. Narrado con tal maestría, que el monstruo que da nombre al relato, inventado por el autor, se ha convertido en una más de las criaturas míticas eslavas. * Nikolai Gogol (1809-1852) fue uno de los escritores rusos más controvertidos y admirados de la época. Polémico y enfermizo, sus obras siempre fueron más allá de lo que él mismo pretendía, convirtiéndose en maestro de un realismo incesantemente perturbado por arrebatos fantásticos, alucinaciones e infernales pesadillas. Si Pushkin sienta las bases de la originalidad literaria rusa, él las perfecciona, y a la categoría de obra maestra. Original y compulsivo, brillante y contradictorio, Gogol ha escrito novelas y relatos que son imprescindibles para la comprensión del Siglo de Oro de las letras rusas. En él se armonizan todas las fuentes; su prosa y sus inolvidables personajes marcan, con meridiana claridad, el camino que deberán seguir Turgueniev, Dostoyevsky y Chejov.

Mertvye dushi - odno iz samyh masshtabnyh i znachimyh proizvedenij russkoj literatury. Puteshestvie gospodina Chichikova po Rossii s cel'ju pokupki mertvyh dush - jeto v pervuju ochered' masshtabnoe issledovanie na vopros, volnovavshij russkih ljudej vo vse vremena: Rus', kuda zh nesesh'sja ty? Zdes' otrazheny samye raznye haraktery i lichnosti, goroda i vesi pronosjatsja pered vzorom geroja svoego vremeni - Chichikova, i snova i snova raskidyvaet kryl'ja ptica-trojka... S illjustracijami!

Evenings on a Farm Near Dikanka is a collection of short stories by Nikolai Gogol, written from 1831-1832. They appeared in various magazines and were published in book form when Gogol, who had spent his life in today's Ukraine up to the age of nineteen, was twenty-two. He put his early impressions and memories of childhood into these pictures of peasant life. This was Gogol's groundbreaking work, though not his first, and formed the core of his style, especially his sense of the macabre. It was this collection that proved he was a new power in Russian literature with unique innovation and a carefully arranged mingling of the horrifying and the humorous.

A middle-class social climber named Chichikov embarks upon a journey to collect 'dead souls.' These 'dead souls' are in fact serfs who have died since the last census was taken-though dead, they have not yet been removed from official records, and are therefore subject to taxation. In an entertaining story about Chichikov's bizarre plan to take out a loan against all the 'dead souls' he acquires, Gogol presents his shady protagonist against a grimly humorous backdrop of supporting characters.

The Government Inspector, also known as The Inspector General, is a satirical work by the Russian dramatist and novelist Nikolai Gogol. Originally published in 1836, the play was revised for an 1842 edition. Based upon an anecdote allegedly recounted to Gogol by Pushkin, the play is a comedy of errors, satirizing human greed, stupidity, and the extensive political corruption of Imperial Russia.