Bøger af Norman Douglas

"Fountains in the Sand" is an ancient nonfiction story book written by Norman Douglas. Douglas' incisive observations and poetic terms transport readers on a journey of discovery, locating hidden gem stones and historic wonders buried the diverse Mediterranean's sun-soaked lush seashores and barren deserts. Douglas makes use of wit, humor, and erudition to make easy his reviews even as reading the proper landscapes and talking with the stunning human beings he meets alongside the manner. Douglas paints a sparkly image of the elements of pursuits, sounds, and emotions that define Mediterranean dwelling, from bustling markets to tranquil oases, coastal cities to isolated villages. "Fountains in the Sand" is going beyond the boundaries of cutting-edge-day tour literary fiction, supplying vacationers with a virtually immersive enjoy that embraces the beauty and complexity of the Mediterranean place. Douglas' enthusiasm for the place shines thru on each web page, inspiring readers to move on their very very own adventure of exploration and discovery. With its notable images and lyrical phrases, "Fountains inside the Sand" maintains to draw net web website online site visitors with its undying depiction of the Mediterranean's everlasting pleasure.

This is a new release of the original 1927 edition.

One or two relics from this castle are preserved in the small municipal museum, founded about five years ago. Here are also a respectable collection of coins, a few prehistoric flints from Gargano, some quaint early bronze figurines and mutilated busts of Roman celebrities carved in marble or the recalcitrant local limestone. A dignified old lion--one of a pair (the other was stolen) that adorned the tomb of Aurelius, prastor of the Roman Colony of Luceria--has sought a refuge here, as well as many inscriptions, lamps, vases, and a miscellaneous collection of modern rubbish. A plaster cast of a Mussulman funereal stone, found near Foggia, will attract your eye; contrasted with the fulsome epitaphs of contemporary Christianity, it breathes a spirit of noble resignation: -

This is a new release of the original 1933 edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This annoyed him. For he disapproved of sickness in every shape or form. His own state of body was far from satisfactory at that moment; Africa-he was Bishop of Bampopo in the Equatorial Regions-had played the devil with his lower gastric department and made him almost an invalid; a circumstance of which he was nowise proud, seeing that ill-health led to inefficiency in all walks of life. There was nothing he despised more than inefficiency. Well or ill, he always insisted on getting through his tasks in a businesslike fashion. That was the way to live, he used to say. Get through with it. Be perfect of your kind, whatever that kind may be. Hence his sneaking fondness for the natives-they were such fine, healthy animals.

1929. Contains two volumes in one. English novelist and travel writer, Douglas lived for years on the island of Capri and in Italy and other Mediterranean countries and made these the settings for his books. The book begins: The bishop was feeling rather seasick. Confoundedly seasick, in fact. This annoyed him. For he disapproved of sickness in every shape or form. His own state of body was far from satisfactory at that moment; Africa-he was Bishop of Bampopo in the Equatorial Regions-had played the devil with his lower gastric department and made him almost an invalid; a circumstance of which he was nowise proud, seeing that ill-health led to inefficiency in all walks of life. There was nothing he despised more than inefficiency. Well or ill, he always insisted on getting through his tasks in a businesslike fashion. That was the way to live, he used to say. Get through with it. Be perfect of your kind, whatever that kind may be. Hence his sneaking fondness for the natives-they were such fine, healthy animals.

This is a new release of the original 1929 edition.

In short, my plan was out of the question; utterly out of the question. The road-a mere track-was over sixty kilometres in length and positively unsafe on a wintry night; besides, the land lay 800 metres in height, and a traveller would be frozen to death. I must go as far as Majen, a few stations beyond Feriana; sleep there in an Arab funduk (caravanserai), and thank my stars if I found any one willing to supply me with a beast for the journey onward next morning. There are practically no tourists along this line, he explained, and consequently no accommodation for them; the towns that one sees so beautifully marked on the map are railway stations-that and nothing more; and as to the broad highways crossing the southern parts of Tunisia in various directions-well, they simply don't exist, voilà!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Old Calabria" is a travelogue written by Norman Douglas. The book is an account of the author's journey through the rugged and remote region of Calabria, located in the southern part of Italy. In the book, Douglas vividly describes the landscape, culture, and people of Calabria, which at the time was largely unknown and undiscovered by tourists. He chronicles his travels through small villages and towns, sharing his observations and encounters with the locals, their customs, and their way of life. Douglas also delves into the history and mythology of the region, recounting tales of Greek and Roman gods, as well as the legendary bandits who once roamed the area. He discusses the region's food, music, and religious festivals, providing readers with a rich and immersive experience of Calabria's unique culture. Throughout the book, Douglas's writing is infused with humor and wit, as he shares his opinions and critiques of the region and its people.

Love and the Fear of Love (which is also love) is the debut literary collection by noted artist and author, Norman Douglas. Fables, stories, and tales based on specific words and phrases. Dig in to court procedurals on the meaning of love, the true meaning of trouserdom, and original fables such as The Man, the King, the Girl and the Spider.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.