Bøger af Oliver La Farge

This is the true story, told in fictional form, of one of the greatest of all American Indian chiefs, Cochise of the Chiricahua Apaches. Indians were once thought of as warlike, and the encroaching white men as wanting peace, but it was the white men who forced Cochise into war against his will. History tells us that Cochise and his tiny band of warriors not only held the United States Army at bay for more than ten years, but they were often on the offensive. It is a heroic and extraordinary story. The story ends with the equally extraordinary way in which peace was made, when Major General Howard, the bible-reading soldier, and Cochise, the religious-minded warrior, found that they could trust each other. The many illustrations are by L. F. Bjorklund, well-known for the accuracy of his interpretation of Indian scenes.

From 1950 until just before his death in 1963, Pulitzer Prize winner (for Laughing Boy) Oliver La Farge wrote weekly columns for The Santa Fe New Mexican-a total of some 350,000 words. A collection of these writings was edited in 1966 by his friend, Winfield Townley Scott and published as "e;The Man With the Calabash Pipe."e; As Scott says in his introduction, "e;Though often in the background, and with much said relevant to anywhere in America, a strong sense of place permeates these essays, whatever their matter. The Southwest in general, Santa Fe in particular, became his locus classicus-or his pulpit."e; Sometimes the "e;observations"e; that take place in some of the pieces in this collection are between La Farge and his alter ego, the "e;Man With the Calabash Pipe,"e; thus the title of the book, and they are marvels of rueful humor. In others the author enjoys his talks with his imaginary friend, Horned Husband Kachina Chief from Awatovi. In writing about Santa Fe, La Farge scolded, reprimanded, corrected, reminded, berated, bemoaned, rejoiced in, and urged on the town in a dozen moods, always out of a fierce devotion. His comments on "e;Writing the Language"e; are salutatory as well as amusing. Then, in and out of these essays wanders that Man With the Calabash Pipe-a sardonic bachelor who refuses to light his heater since a likeable mouse is in residence underneath it. Scott continues, "e;...I think any reader who never had to the luck to know Oliver La Farge will touch the man as nowhere else in his work save perhaps that revealing autobiography, Raw Material; and will be touched and will come to feel the overtones of a unique, complex individual."e;

The long, uneasy armistice between two world wars was a trying time for literary artists, particularly for those young men who came to maturity in that period of economic and social upheaval. Oliver La Farge's frank and honest personal narrative is a typical life of one born into the easy world of Newport, New York, Groton, and Harvard, dumped into the melting pot of the Great Depression, and then slammed up against the global war. His purpose "e;to record the America of one individual"e; and to set down the raw material from which the writer derives the finished product he offers to the world, is vividly fulfilled in this book. In an Appreciation appearing in this new edition, John Pen La Farge says: "e;In his autobiography, "e;Raw Material,"e; Father wrote a superior account of one man's life. As Mother pointed out, it was superior because it was not a mere accounting of what, when, how, and in what order, rather, it was the account of how the raw material of one boy grew into a man, a man whose life both displayed and sought out true integrity."e;

Imagine yourself in a secluded green valley high in the mountains of northern New Mexico. You are one of a large family who own a sheep and cattle ranch surrounding the little village of Rociada. Your father, a Spaniard, is the revered and distinguished Jose Baca, and your mother, Dona Marguerite, is of French descent. Everyone in the village loves and respects your family as their patrones, appealing to them in times of trouble and bringing them gifts at Christmas. Out of the everyday life of the Baca family, the village people, their customs and superstitions, Oliver La Farge has drawn, for example, the touching story of young Pino's disillusionment with his hero, the horse thief Pascual. Or there is the account of the wedding shoes that pinched until the bride was in tears. Then there is Carmen's discovery of treachery in the unlit hovel of the blind religious and the amusing tale of how Pino was punished for his arrogance the night the Archbishop came to dinner. But beneath this rippling surface of adventure, tenderness, and humor rides the gradual encroachment of the outside world on Rociada, one of the last survivals of the ancient Spanish way of life in the United States. Finally, this idyllic village succumbs to the invasion of tourists and the machine, and Rociada becomes only a dream of the past. Of his many books, "e;Behind the Mountains"e; has earned the affection of Santa Feans and New Mexicans, who continue to regard the book as a regional classic. Santa Fe has changed a great deal-more than most people are prepared to acknowledge-since Oliver La Farge died. The small-town atmosphere with "e;its warmth and rewards"e; he often spoke of and admired is swiftly becoming a thing of the past. But with his name appropriately enshrined over the doorway of a library in Santa Fe, perhaps the Modern Age will not be inclined to forget his love for the city and for the people of the American Southwest.