Bøger af Oskar Kokoschka

Dieses Buch ist eine Sammlung von Briefen, die der österreichische Maler Oskar Kokoschka während seines Exils in England geschrieben hat. Die Briefe enthalten eine Fülle von Beobachtungen und Reflexionen über Kunst, Politik und das Leben im Allgemeinen. Kokoschka, der als einer der führenden Vertreter des Expressionismus gilt, ist bekannt für seine leidenschaftlichen und provokativen Werke, die oft politische und soziale Themen aufgreifen. Seine Briefe sind ebenso engagiert und kontrovers und bieten einen faszinierenden Einblick in das Denken eines der wichtigsten Künstler des 20. Jahrhunderts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dieses Buch ist eine Sammlung von Briefen, die der österreichische Maler Oskar Kokoschka während seines Exils in England geschrieben hat. Die Briefe enthalten eine Fülle von Beobachtungen und Reflexionen über Kunst, Politik und das Leben im Allgemeinen. Kokoschka, der als einer der führenden Vertreter des Expressionismus gilt, ist bekannt für seine leidenschaftlichen und provokativen Werke, die oft politische und soziale Themen aufgreifen. Seine Briefe sind ebenso engagiert und kontrovers und bieten einen faszinierenden Einblick in das Denken eines der wichtigsten Künstler des 20. Jahrhunderts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This volume contains even plays, written between 1906 and 1926, which demonstrate the basic forms, tenets and preoccupations of German Expressionist drama, which has been described as the forerunner of Absurdist theatre and is characterized by both visual and verbal violence. These plays, taken together, offer an excellent introduction to the entire movement. Kokoschka''s ''Murderer; Hope of Womankind'', for example, has that strong ritualistic quality which characterizes so many other Expressionist writings, and Stramm''s terrifying ''Awakening'' recalls the threatening absurdities of Ionesco''s theatre. These plays, with their visionary elements and their timeless quality, speak as clearly to audiences today as they did at the time of their creation.