Bøger af Ovid

Written between AD 2 and 8, Ovid's poem, the "Metamorphoses", gave a great number of Greek and Roman myths the form in which they are known today. Slavitt, translator of "Ovid's Poetry of Exile", offers a new English verse translation of Ovid's "Metamorphoses".

This simple, utilitarian edition offers sixth-form and undergraduatestudents an introduction to the enchanted, sometimes violent, oftensad, often funny world of the "Metamorphoses." The brief introduction places the book in its ancient context. Notes aid comprehension of the Latin and a vocabulary is included.

This sparkling new translation of Ovid's love poems, notorious for the sexual content that led to his exile by the emperor Augustus, also includes Tristia 2, Ovid's witty self-defense. With helpful footnotes and a comprehensive introduction, this edition gives readers a poetic tour of the literature, mythology, topography, religion, politics, and sexuality of ancient Rome.

Metamorphoses is an epic-style, narrative poem written in hexameters. Original, inventive and charming, the poem tells the stories of myths featuring transformations, from the creation of the universe to the death and deification of Julius Caesar. Book X contains some of Ovid's most memorable stories: Orpheus and Eurydice, Pygmalion, Atalanta and Hippomenes (with the race for the golden apples), Venus and Adonis, and Myrrha.This edition contains the Latin text as well as in-depth commentary notes that provide language support, explain difficult words and phrases, highlight literary features and supply background knowledge. The introduction presents an overview of Ovid and the historical and literary context, as well as a plot synopsis and a discussion of the literary genre. Suggested reading is also included.

When Ovid, already renowned for his love poetry, the Metamorphoses and other works, was exiled by Augustus to Tomis on the Black Sea in AD 8, he continued to write. After five books of Tristia, he composed a collection of verse letters, the Epistulae ex Ponto, in which he appeals to his friends and supporters in Rome, lamenting his lot and begging for their help in mitigating it. In these epistolary elegies his inventiveness flourishes no less than before and his imaginative self-fashioning is as ingenious and engaging as ever, although in a minor key. This commentary on Book I assists intermediate and advanced students in understanding Ovid's language and style, while guiding them in the appreciation of his poetic art. The introduction examines the literary background of the Epistulae ex Ponto, their relation to Ovid's earlier works, and their special interest and appeal to readers of Augustan poetry.

A new prose translation of Ovid's poetical calendar of the Roman year, with its various observances and festivals, recording a wealth of detail on rites and customs recorded day by day. A lively introduction explains the background to the poem, and the edition includes notes, a glossary, and an index of names.

Classical scholar Robinson Ellis (1834-1913) studied at Balliol College, Oxford, under Benjamin Jowett, before becoming a Fellow of Trinity and, in 1893, Corpus Professor of Latin. His 1876 Commentary on Catullus (also reissued in this series) publicised the Codex Oxoniensis but overlooked its significance and was criticised by other scholars in the field. Nevertheless, his commentaries became standard texts, including this 1881 publication of Ovid's Ibis. A vitriolic invective poem, written in exile, aimed at an enemy whose identity remains unclear, and invoking Callimachus' lost poem of the same name, it is probably Ovid's least-known work. This edition, including text, scholia, and Ellis's prolegomena and critical apparatus, illuminates nineteenth-century traditions of classical scholarship.

'Drawn on by his eagerness for the open sky, he left his guide and soared upwards...'Ovid tells the tales of Theseus and the Minotaur, Daedalus and Icarus, the Calydonian Boar-Hunt, and many other famous myths.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Ovid (c.43 BCE-17 CE). Ovid's other works available in Penguin Classics are The Erotic Poems, Fasti, Heroides and Metamorphoses.

The perfect gift for Valentine's DayTRANSLATED BY TOM PAYNE AND INTRODUCED BY HEPHZIBAH ANDERSONThe Art of Love may have been written in the days of gladiators and emperors, but Ovid remains the smartest teacher on the subject of love in all of history, and his advice is enduringly useful and entertaining.

(Tristia, Ibis, Epistulae ex Ponto, Halieutica, Fragmenta.) Edited by S. G. Owen.

Widely praised for his translations of Boethius and Ariosto, esteemed translator David R. Slavitt here returns to Ovid, once again bringing to the contemporary ear the spirited, idiomatic, audacious charms of this master poet. The love here described is of the anguished, ruinous kind, like a sickness, and Ovid prescribes cures.

A new translation of Ovid's poetic calendar of the Roman religious year.

The modern, unacademic idiom of A.D. Melville's translation opens the way to a fresh understanding of Ovid's unique and elusive vision of reality.

The elegant verse and subtle observation of the Amores, The Art of Love, and The Cures of Love made their author the talk of Rome. Ovid saw love as a game at which both sexes could play without getting hurt - as long as they stuck to his rules, but primarily he wrote these sparkling and often erotic poems to entertain, and after two thousand years they still give enormous pleasure.

A commentary on seven of Ovid's twenty-one epistles in elegiac verse.

Humphries has rendered (Ovid's) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique." -Virginia Quarterly Review