Bøger af Pamela N. Corey

Oath against Minimalism dokumentiert das vielschichtige Werk der aufstrebenden Künstlerin Sung Tieu, die mit ihren Skulptur- und Soundinstallationen immersive Raumsituationen kreiert. Zahlreiche Installationsansichten sowie ein Interview mit der Künstlerin vermitteln einen umfangreichen Einblick in neuste und ältere Arbeiten. Mit ausführlichen Textbeiträgen internationaler Kunsthistorikerinnen und Kuratoren reflektiert der Band Tieus Arbeiten u.a. vor dem Hintergrund bürokratischer Machtstrukturen, globalem Kapitalismus, der psychologischen Wirkung von Sound und dem Nachhall des Kalten Krieges. Die Monografie erscheint anlässlich ihrer ersten Einzelausstellungen auf Museumsebene: Zugzwang (2020) im Haus der Kunst in München und In Cold Print (2020) bei Nottingham Contemporary.Sung Tieu (*1987 in Vietnam, lebt und arbeitet in Berlin und London) studierte an der Hochschule für Bildende Künste in Hamburg und an der Royal Academy of Arts in London. Tieu ist Preisträgerin des ars viva-Preises für Bildende Kunst 2020 und nimmt an der 34. Sao Paulo Biennale teil.Oath against Minimalism documents the multifaceted work of the up-and-coming artist Sung Tieu, whose sculptural and sound installations engender uncanny and immersive spatial situations. Lavishly illustrated and containing four essays by international art historians and curators, as well as an interview with the artist, this wide-ranging publication provides a comprehensive insight into Tieus practice; placing her work against the backdrop of bureaucratic power structures, global capitalism, the psychological effects of sound, and the legacies of the Cold War. This monograph is published on the occasion of Tieu¿s first institutional exhibitions: Zugzwang (2020) at Haus der Kunst in Munich and In Cold Print (2020) at Nottingham Contemporary. Sung Tieu (*1987 in Vietnam, lives and works in Berlin and London) studied at the Hochschule für Bildende Künste in Hamburg and at the Royal Academy of Arts in London. Tieu is a winner of the ars viva Prize for Visual Arts 2020. Forthcoming exhibitions include 34th Sao Paulo Biennale.

In The City in Time, Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually ¿postwar.¿ Focusing on art from the last two decades, Corey connects artistic developments with social transformations as reflected through the urban landscapes of Ho Chi Minh City and Phnom Penh. As she argues, artists¿ engagements with urban space and form reveal ways of grasping multiple and layered senses and concepts of time, whether aligned with colonialism, postcolonial modernity, communism, or postsocialism.The City in Time traces the process through which collective memory and aspiration are mapped onto landscape and built space to shed light on how these vibrant Southeast Asian cities shape artistic practices as the art simultaneously consolidates the city as image and imaginary. Featuring a dynamic array of creative productions that include staged and documentary photography, the moving image, and public performance and installation, The City in Time illustrates how artists from Vietnam and Cambodia have envisioned their rapidly changing worlds.