Bøger af Patrick Crowley

Rose, Castle and Crown is a unique history of the part-time soldier of Hampshire and the Isle of Wight, from the time of the militia, yeomanry and volunteer, through to the Territorial Army and today's Army Reserve. This is all placed in the wider context of the British Army's history.For centuries, the country has defended its shores with a mixture of regular and auxiliary soldiers, but little has been written about the latter, particularly in Hampshire and the Isle of Wight. All military volunteers, throughout history, have had to balance the requirement of their service with family demands and their main civilian employment. This book tells their story.

Referring to Monro's brave decision to recommend a withdrawal from the Gallipoli disaster, Churchill said: 'He came, he saw, he capitulated.'Monro was one of a handful of senior officers selected to command a division with the British Expeditionary Force in 1914 and also led a corps on the Western Front as the war progressed.

By 1916 the force had not been relieved, and on 29 April 1916 the British Army suffered one of the worst defeats in military history. His other publications include A Guide to the Princess of Wales's Royal Regiment, Kut 1916 and Loyal to Empire (The History Press, 2016).

Pierre Michon is one of France¿s most significant contemporary writers. Since the publication in 1984 of his first book, Vies minuscules, Michon¿s work has never ceased to evade generic classifications. His work ingests books, lives and thought and probes their complex interrelationship and those moments of convergence that transform an ordinary name into that of an ¿Author¿ or of an ¿Artist¿. The contents of Michon¿s work are well documented: they are drawn from canonical novels, chronicles, archives and the biographies of artists¿ lives and are worked into cross-generic forms that revive names and make us rethink the uncertainty of literature. Less has been written of his engagement with avant-garde thought. The legacy of French avant-garde thinkers of the 1960s and 1970s, in particular the work of Roland Barthes, informs Michon¿s work. Barthes¿s notions of the referent, of intertextuality and of authorship, for example, are transposed, reconfigured and sometimes contested within Michon¿s work. In this way, Barthes¿s name, the afterlife of his thought, remains encrypted within Michon¿s prose. This book situates and reads Michon¿s texts through the complex inscription and transformation of names drawn from the Creuse, literature, art and avant-garde thought. And it is within this matrix that Michon puts in play his own name and its uncertain relation to literature.