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Bøger af Paul Garson

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  • af Paul Garson
    149,95 kr.

    With an array of previously unpublished photographs, Paul Garson offers a fascinating insight into the German home front during the Second World War.

  • - The Nazi Culture of Death
    af Paul Garson
    446,95 kr.

    What forces contrived to motivate the "Supermen" of the Third Reich? They would be carefully, relentlessly molded into that which the world famous German writer of the day, Thomas Mann, would describe as "machinists of death" motivated by a "terrible obedience." Here their story is told via the photos they took at home and on the battlefront.

  • af Paul Garson
    148,95 kr.

    Rare and previously unpublished photographs of children in Nazi Germany. Paul Garson offers a fascinating glimpse into the lives of children of the Third Reich.

  • - Images from the Wehrmacht
    af Paul Garson
    146,95 kr.

    With a wealth of rare and previously unseen images, Paul Garson showcases a fascinating collection of photographs captured by Nazi soldiers.

  • af Paul Garson
    146,95 kr.

    Paul Garson explores the fascinating role played by bicycles and motorbikes by the Third Reich with uniquely personal, largely unpublished images.

  • - A History of the American Biker and Bikes 1947-2002
    af Paul Garson
    248,95 kr.

    Take an exhilarating ride through the history of the American bike, biker, and the biker nation in this fascinating and comprehensive chronicle of the biker era and today's ever-expanding legion of motorcycle enthusiasts. Impassioned, idiosyncratic, and razor sharp, Born to Be Wild traces a century's worth of the culture, the bikers, and the bikes themselves.Who are these bikers? Are they those hard-living, leather-clad, tattooed guys often associated with images of the Hells Angels and Satan's Sinners? Or are they those clean-cut, suit-and-tie wearing riders with the sporty helmets you pass on your daily commute? In fact, they are both, for what began as a subculture of misfits and outlaws has grown into a flourishing society of men and women who celebrate the freedom of the open road and the brotherhood they find among bike enthusiasts of all stripes.Today's biker has evolved from the rough-and-tumble antihero to a vast and vibrant biker culture populated by a new breed of rider including the RUBs, or Rich Urban Bikers, and championed by everyone from titans of industry like the late Malcolm Forbes to media celebrities like Jay Leno. And while elements of rebellion still remain intrinsic to the biker mystique, the culture has in fact expanded to include a plethora of riders from the American mainstream -- doctors, lawyers, and executives -- who love the freedom they find on their bikes and the camaraderie they find with their fellow devotees. It is also a multibillion-dollar industry that draws hundreds of thousands of participants and spectators to its annual events.Born to Be Wild, written by motorcycle journalist Paul Garson and the editors of Easyriders magazine, captures as never before the spirit and evolution of the biker era. Beginning in 1895, Born to Be Wild traces the development of the modern bike, with special attention to Harley-Davidson's supreme contributions to the quality of the machines as well as the aesthetics of biker society. Featuring numerous fascinating sidebars that highlight the particular characteristics of the culture, the book also explores the socio-political events that have culminated in the great biker nation that we know today.With more than two hundred photographs of bikes and bikers across the decades, Born to Be Wild is a definitive work that will open readers' eyes to a thriving society, one whose celebration of freedom and the open road precisely reflects what is best about our country as a whole.

  • - A Pictorial History of Captive Soldiers in the World Wars
    af Paul Garson
    685,95 kr.

    Featuring a collection of never before published photos taken by German soldiers,this book records the fate of many French Colonial African soldiers during World War I and World War II. The author presents the images in the historical context of imperialism and colonialism.

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