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In early-twentieth-century New York, a young boy enjoys a happy, ordinary childhood. Then, one by one, Richard sees his childhood securities crumble before the pitiless facts of a fallen world: the wanton cruelty of other children, the inconstancy of the "grown-ups" and inscrutability of their world, the overwhelming otherness of God, and the seemingly indomitable capacity in himself for sin. Things As They Are draws its thematic power from Richard's reflection that "children are artists who see and enact through simplicity what their elders have lost through experience. The loss of innocence is a lifelong process-the wages of original sin." As each pivotal event manifests, Richard must meet it with courage as much as faith, hope, and love, in order to safeguard his dignity and reach that maturity of stature for which he longs. Told with a rare lyrical power and an unaffected poignancy, Things As They Are achieves a unity of robust realism and profound spiritual acuity which makes it clearly deserving of its place "among the most beautiful and moving American novels" (David McCullough).
No historian writes with such command of language or feeling for human nature. The difference is his luminous imagination, as Henry Steele Commager observes in the introduction to the newest Horgan volume, Of America East & West, a sumptuous selection from fifteen of the earlier works, many of which have been long out of print. I began reading Paul Horgan more than twenty years ago and he has given me no end of pleasure ever since. Whether in fiction, history or biography, he is a writer of large vision and manysidedness. He can be serene, funny, elegant, earthy and lyrical. He can range across art, opera, politics, natural history, military history and intellectual history. Narrative energy suffuses everything he writes. But it is his gift of empathy that lifts his work to the level of art and gives the history he writes 'reality.'
The Pulitzer Prize- and Bancroft Prize-winning epic history of the American Southwest from the acclaimed twentieth-century author of Lamy of Santa Fe.Great River was hailed as a literary masterpiece and enduring classic when it first appeared in 1954. It is an epic history of four civilizations-Native American, Spanish, Mexican, and Anglo-American-that people the Southwest through ten centuries. With the skill of a novelist, the veracity of a scholar, and the love of a long-time resident, Paul Horgan describes the Rio Grande, its role in human history, and the overlapping cultures that have grown up alongside it or entered into conflict over the land it traverses. Now in its fourth revised edition, Great River remains a monumental part of American historical writing."e;Here is known and unknown history, emotion and color, sense and sensitivity, battles for land and the soul of man, cultures and moods, fused by a glowing pen and a scholarly mind into a cohesive and memorable whole."e; -The Boston Sunday Herald"e;Transcends regional history and soars far above the river valley with which it deals . . . a survey, rich in color and fascinating in pictorial detail, of four civilizations: the aboriginal Indian, the Spanish, the Mexican, and the Anglo-American . . . It is, in the best sense of the word, literature. It has architectural plan, scholarly accuracy, stylistic distinction, and not infrequently real nobility of spirit."e; -Allan Nevins, author of Ordeal of the Union"e;One of the major masterpieces of American historical writing."e; -Carl Carmer, author of Stars Fell on Alabama
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