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This study presses beyond the pervasive early Christian aversion to pagan theatrical art in all its forms and investigates the growing critical engagement with the genre of tragedy by Christian authors, especially in the post-Constantinian era.
This work considers Maximus the Confessor (c.580-662), one of the most discussed early Christian theologians in contemporary patristic studies. It builds on recent scholarship while also providing fresh readings of Maximus as an ancient ecumenical theologian as well as of his recontextualization in contemporary theology.
This work considers Maximus the Confessor (c.580-662), one of the most discussed early Christian theologians in contemporary patristic studies. It builds on recent scholarship while also providing fresh readings of Maximus as an ancient ecumenical theologian as well as of his recontextualization in contemporary theology.
An introduction to the multiplex relation between Creator and creation as an object both of theological construction and religious devotion in the early church. The book argues that patristic commentators were motivated less by cosmological concerns than the desire to depict creation as the enduring creative and redemptive strategy of the Trinity.
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