Bøger af Paul Margueritte

Une fresque ambitieuse de la France à travers les siècles, L'essor décrit les événements et les personnalités clés qui ont façonné l'histoire de la nation. Ce roman épique suit les familles nobles et bourgeoises à travers les guerres et les révolutions, les amours et les rivalités, les triomphes et les tragédies. Avec une prose élégante et une profondeur d'analyse remarquable, L'essor est un chef-d'oeuvre de la littérature historique.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Cette anthologie réunit les charades et les pantomimes des frères Margueritte, Victor et Paul, célèbres écrivains et dramaturges de la Belle Époque. Drôles, poétiques, et parfois coquines, ces pièces de théâtre sont idéales pour découvrir l'univers joyeux et fantasque des spectacles de rue.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Souvenirs D'enfance: Les Par Sur Le Sable Paul Margueritte Plon-Nourrit et Cie, 1906 Fiction; Classics; Fiction / Classics; Fiction / Literary

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Fontenoy reprint Paul Margueritte, Victor Margueritte Thomas Handel Bertenshaw Longmans, Green and Co., 1911 Fiction; Literary; Fiction / Literary

"... Moment désespéré. À l'Empire effondré le 4 septembre dans le sang des désastres de Reischoffen, de Gravelotte, de Sedan, avait succédé le gouvernement de la Défense nationale. L'Empire s'était abattu d'un seul coup, tombant de lui-même, au milieu de la lassitude unanime. Il avait suffi que la foule poussât la grille du Corps législatif, envahît la salle. Et aussitôt la Chambre, qui n'avait pas su proclamer à temps la déchéance et se saisir du pouvoir légal, de disparaître, le ministère de se dissoudre, l'impératrice de fuir. Elle quittait les Tuileries brusquement désertes, gagnait à travers les corridors du Louvre la porte basse de l'exil. Quant au Sénat, il s'était évanoui comme une ombre. Nulle révolution qui se fût accomplie avec moins de violence ; on eût dit le cours naturel du Destin. La France se réveillait aux mains connues d'Arago, de Crémieux, de Garnier-Pagès, de Favre, doublés de politiques nouveaux, Pelletan, Ferry, Gambetta, Rochefort, qui avaient grandi pendant ce sommeil de dix-huit ans. Le déclin de 70 rejoignait l'aube de 48. La République renaissait..."

" Tout le long du trajet, Albert fut maussade. Pourtant, l'idée qu'il allait connaître l'Océan, courir les grèves, oublier pendant deux mois le lycée, le ravissait. Mais, avec la vanité ridicule et l'égoïsme maladif de ses quinze ans, il se sentait mal à l'aise, dans le wagon, s'imaginant que chacun fixait les yeux sur lui. Un vieillard à lunettes lui jetait, de temps à autre, un regard bleu et froid. Albert se persuadait qu'un col trop étroit, qu'on lui avait imposé, attirait ainsi l'attention ; humilié, boudant de ce qu'il lui faudrait user cette douzaine de cols encore neufs, il en voulait à sa mère, et, pour bien lui marquer son mécontentement, il haussait le menton, se démanchait le cou, risquait une grimace douloureuse. Cette tactique n'obtenant aucun succès, et Mme Janville regardant obstinément défiler la campagne, derrière la vitre, avec ce visage ferme et résigné des veuves auxquelles la vie n'est pas toujours facile, et qui n'élèvent pas un fils unique sans tiraillements ni souffrances, Albert se composa une expression d'amertume et de dédain, la bouche à la Bonaparte, le front inspiré, de l'air de quelqu'un qui regarde de haut l'univers et scrute l'avenir. Ah ! comme il porterait des faux cols à son goût, quand il aurait atteint sa majorité..."

"...Il se sentait attiré, plus particulièrement, vers la personne de l'Empereur. L'Impératrice l'avait fasciné; mais elle demeurait la souveraine, un être hors race, où la femme disparaissait dans la splendeur du rang. L'Empereur lui apparaissait plus humain. Il eût voulu prévenir un de ses ordres, le secourir dans le danger. Le beau nom de Napoléon avait exercé, sur son enfance, un pouvoir irrésistible, et derrière le César d'aujourd'hui, il apercevait le profil lauré de l'autre. Dominant un prodigieux fracas de batailles, l'Ombre épique surgissait. Et c'étaient une curée de royaumes, des champs pleins de cris et de fumée, Iéna, Austerlitz, Marengo, l'encens des Te Deum, la pourpre, les abeilles d'or, - puis la retraite blanche de Russie, l'île d'Elbe, le ressaut de l'Aigle volant de clochers en clochers jusque sur les tours de Notre-Dame, et pour finir, le plus tragique écroulement qui fût au monde... Waterloo, Sainte-Hélène, ces mots à prolongement infini, vibrèrent un moment dans son âme ; et malgré la chaude et lumineuse atmosphère, au milieu des femmes en toilette, des uniformes chamarrés, devant la nuit de fleurs et d'étoiles, la même singulière tristesse le pénétrait..."

"... Toinette se taisait, ne sachant que répondre ; elle avait jeté un regard de détresse à sa s¿ur, assise à l'autre bout de la salle ; maintenant, elle baissait les yeux, et délicieusement troublée, la bouche mi-close, elle gardait un sourire d'enfant, tandis que ses seins, lentement, soulevaient son corsage étroit.André se méprit, se crut dédaigné, et la voix tremblante, malgré son air enjoué :- Je ne sais pas, - dit-il, - la sympathie (il n'osa dire : l'amour) vient peut-être plus vite aux garçons qu'aux filles ?Elle lui jeta un vif regard, et il lui échappa :- Vous pourriez vous tromper !Elle vit la joie de ses yeux et, confuse, s'éloigna de lui..."

"À cinq heures, après sa promenade au Bois, dans sa molle Victoria, au trot cadencé des alezans, Mme Arsène Goulart recevait. Le tableau de la semaine était invariable. Lundi, les dames patronnesses de l¿¿uvre de l¿¿uf à la coque, dont elle était la présidente d¿honneur : petit salon. Mardi, grand salon : des vieux messieurs de diverses académies, des jeunes gens mûrs écrivant dans des revues graves, tenaient de doctes propos dont elle recueillait le bienfait sous forme d¿un discret assoupissement que l¿on feignait de ne pas remarquer.Le mercredi, elle recevait son médecin dans son boudoir et l¿accablait du récit de maux imaginaires ou réels ; Jeudi, grand nettoyage des bibelots : des gants sales aux mains, elle astiquait elle- même les objets d¿argent les plus précieux de ses vitrines. Vendredi, repos à la chambré, examen des comptes et migraine. Samedi, jour des parents riches ; et dimanche, jour des parents pauvres.Seuls, la maladie ou l¿accident dérangeaient l¿orbe de ces habitudes, que sa volonté impérieuse dictait, et qüappliquait, avec une régularité d¿automate, le personnel domestique, depuis Mlle Zoé Lacave, dame de compagnie, jusqüau petit groom, Alfred."

Avant-proposComment, trente ans plus tard, faire revivre le passé dans sa fraîcheur, si je ne lui restitue pas son mirage, si je ne le dépeins pas tel qüil m¿apparut, et non tel que je le juge à présent. Êtres et choses ont changé ; bien des sentiments délicieux sont devenus amers ; des affections m¿ont trahi, d¿autres sont mortes.Pourtant ce qui fut, comment pourrais-je l¿anéantir ? Un poète a dit :Ma jeunesse avec ses illusions est fixée là, papillon lumineux. Je me garderai de toucher à ses ailes, de peur de la voir tomber en poussière. P.M. Cet avant-propos a été retrouvé dans les papiers de Paul Margueritte

"Adam, Ève et Brid'oison" est un roman écrit par l'écrivain français Paul Margueritte. L'histoire suit les aventures de deux jeunes enfants, Adam et Ève, qui vivent dans un petit village de campagne. Ils sont accompagnés de leur fidèle âne, Brid'oison, qui les suit partout. Le roman narre les péripéties et les découvertes de ces enfants et de leur compagnon animal au sein de la nature et de leur communauté. L'¿uvre explore des thèmes tels que l'innocence de l'enfance, la découverte du monde, et la simplicité de la vie à la campagne. "Adam, Ève et Brid'oison" est une histoire charmante qui capture la magie de l'enfance et de la vie à la campagne.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Princesse Noire: Roman D'aventures Paul Margueritte F. Juven, 1908

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Sur Le Retour (1892) est un roman de l'�����crivain fran�����ais Paul Margueritte. L'histoire se d�����roule pendant la guerre franco-prussienne de 1870 et suit le personnage principal, le soldat Julien, qui est captur����� et emprisonn����� par les Allemands. Apr�����s avoir �����t����� lib�����r�����, Julien doit faire face aux cons�����quences de la guerre, notamment la perte de ses amis et de sa famille. Le roman explore les th�����mes de la guerre, de la captivit�����, de la perte et du retour ������ la vie civile. Margueritte utilise une �����criture r�����aliste et po�����tique pour d�����crire les �����motions complexes de Julien et les d�����fis auxquels il est confront����� lors de son retour chez lui. Sur Le Retour est consid�����r����� comme l'un des meilleurs romans de Margueritte et a �����t����� salu����� pour sa repr�����sentation authentique de la guerre et de ses cons�����quences sur les individus.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

L'Eau Qui Dort est un roman de l'�����crivain fran�����ais Paul Margueritte, publi����� en 1896. L'histoire se d�����roule dans une petite ville de province o����� un jeune homme, Louis, tombe amoureux d'une jeune fille, Suzanne. Cependant, leur amour est mis ������ l'�����preuve lorsque la m�����re de Suzanne refuse leur mariage en raison de la diff�����rence de classe sociale entre les deux familles. Louis, d�����sesp�����r�����, d�����cide de quitter la ville pour chercher fortune. Il part pour Paris et devient un homme d'affaires prosp�����re. Cependant, il n'a jamais oubli����� Suzanne et retourne dans sa ville natale pour la retrouver. L������, il d�����couvre qu'elle est devenue une femme mari�����e et m�����re de famille. Le roman explore les th�����mes de l'amour, de la classe sociale et de la pers�����v�����rance. L'Eau Qui Dort est consid�����r����� comme l'un des meilleurs romans de Paul Margueritte et a �����t����� salu����� pour sa prose sensible et po�����tique.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Paul Margueritte (1860-1918), though principally remembered today as a writer of Naturalist fiction and for his scandalous novel Tous quatre (1885), did, during a period when he was writing for the Écho newspaper, have a brief experimental phase during which he produced a series of proto-surrealist tales, as well as dabbling in weird and supernatural fiction.The items in the present volume, all of which are translated into English for the first time by Brian Stableford, include the most distinctive of his narrative experiments, in which he attempted to adapt the substance of his early pantomimes to the format of short fiction. These pieces, which revel in their own idiosyncrasy even when sometimes pretending to a strict naturalism and a conventional sentimentality, are also capable of a casual brutality uncommon even in the cynical medium of the conte cruel. The stories assembled in this slim collection fully deserve rescue from their obscure origins, and they benefit from being gathered together into a curious set. They remain intriguingly pointed, more than a century after their composition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"... Moment désespéré. À l'Empire effondré le 4 septembre dans le sang des désastres de Reischoffen, de Gravelotte, de Sedan, avait succédé le gouvernement de la Défense nationale. L'Empire s'était abattu d'un seul coup, tombant de lui-même, au milieu de la lassitude unanime. Il avait suffi que la foule poussât la grille du Corps législatif, envahît la salle. Et aussitôt la Chambre, qui n'avait pas su proclamer à temps la déchéance et se saisir du pouvoir légal, de disparaître, le ministère de se dissoudre, l'impératrice de fuir. Elle quittait les Tuileries brusquement désertes, gagnait à travers les corridors du Louvre la porte basse de l'exil. Quant au Sénat, il s'était évanoui comme une ombre. Nulle révolution qui se fût accomplie avec moins de violence; on eût dit le cours naturel du Destin. La France se réveillait aux mains connues d'Arago, de Crémieux, de Garnier-Pagès, de Favre, doublés de politiques nouveaux, Pelletan, Ferry, Gambetta, Rochefort, qui avaient grandi pendant ce sommeil de dix-huit ans. Le déclin de 70 rejoignait l'aube de 48. La République renaissait..."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Poum: (adventures D'un Petit Garçon) Paul Margueritte Plon-Nourrit et cie., 1897

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.