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"The controversy over filmmaker Jonas Mekas's memories of his WWII Lithuanian youth are delicately and humanely approached in this book-length essay by a Mekas cinephile. Stemming from a New York Review of Books article by a young Jewish historian that condemned the widely-beloved Jonas Mekas, known as the 'Godfather of American avant-garde cinema', this essayistic, self-reflective, and analytic book flowers into an inquiry about memory and forgetting; the wild moral compass of the future that cannot find its bearing in the past; and the roles we all must play in writing the adequate history of events too traumatic for a just accounting"--
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