Bøger af Peter Dimock

Daybook from Sheep Meadow finds Peter Dimock returning to the breakdown of America's imperialist history that he started exploring in his groundbreaking previous novel, George Anderson: Notes for a Love Song in Imperial Time. In Daybook, Dimock expands on what it means to refute the narrative of American greatness - and what happens once one starts on that path.Historian Tallis Martinson has grappled for years with the atrocities of the American condition through meditative notebook entries, wherein he has attempted to create a "e;historical method"e; that guide's an individual 's personal thought outside the language of empire. However, when words fail him completely, he commits himself to a psychiatric facility, mute and unable to write.Daybook presents Tallis' notebook entries, annotated by his brother and editor Christopher Rentho Martinson. Christopher initially follows the entries' complex guided meditations in hopes of being able to reach Tallis during his visits to the psychiatric facility. Instead, he finds himself immersed in his own family's implication in the normalized atrocities of his country's past and present. An experiment in the capacity of literature to re-lay the trajectory of America's future, Daybook stages a space wherein the reader can register - and, potentially, remedy - the criminal catastrophe of the American political arena.

Theo Fales is a one-time historian turned book editor who specializes in ghostwriting the memoirs of leading American policy-makers. For over twenty-five years, Theo has been helping retired generals and CIA directors justify their decisions in the first-person. One day, however, hearing a song at a colleague's memorial service, Theo has a vision: he senses, in the music, a completely different way to live. He becomes obsessed by a need to align musical time with the metre of his own life and prose. Theo's method opens onto two seemingly contradictory interior landscapes: one, a rage of identification with a college classmate who has written and signed the legal document justifying the use of torture by the US; the other, a love for the singer best known for her interpretations of the composer who wrote that vital song. Theo commits himself to the idea that only through his method will he be able to save himself. Is he mad, or has history itself lost its way?