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The fifteenth volume in the Art of series takes an expansive view of revision-on the page and in lifeIn The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision-even though it's an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O'Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject.Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision-that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.
Peter Ho Davies's award-winning debut collection, The Ugliest House in the World, drew comparisons to the work of Raymond Carver, James Joyce, and V. S. Naipaul. The Washington Post hailed it as "astounding . . . Davies has left a unique, definitive footprint in the soil of contemporary short fiction." In his new collection, Davies's unforgettable characters—a Chinese son gambling with professional mourners, a mixed-race couple who experience a close encounter—strive for a love that transcends time, race, and sexuality. These are the stories of a sandwich generation—children of one century, adults of the next—caught between debts to their parents and what they owe their own offspring. Shot through with humor and grace, Equal Love confirms Davies's reputation as one of his generation's foremost writers.
Peter Ho Davies is a young writer of unusually worldly perspective. Born in Britain to Welsh and Chinese parents, he writes stories that not only reflect his multinational heritage, but delight in odd juxtapositions. In tales that travel from Coventry to Kuala Lumpur, from the past to the present, and from hilarity to tragedy, American bandits herd ostriches in Patagonia, British soldiers confront Zulus in Natal, and John Wayne leads the way for local revolutionaries in Southeast Asia. These are stories in which small lives are affected by consequential events. In "A Union," a prolonged strike at a Welsh slate quarry plays mystifying tricks of time on a couple expecting a baby. In "The Silver Screen," ragtag rebels join a communist revolution with all the flair of the Keystone Kops. In the heartbreaking title story, a rural community in North Wales copes with the accidental death of a child and learns the reaches of guilt. With their deep vein of humanism and pointed humor, the stories
From the best selling, acclaimed author of The Welsh Girl comes a groundbreaking, provocative new novel recasting American history through the lives of Chinese Americans.
Ah Ling: son of a prostitute and a white 'ghost', dispatched from Hong Kong as a boy to make his way alone in 1860s California. Anna Mae Wong: the first Chinese film star in Hollywood, forbidden to kiss a white man on screen. Vincent Chin: killed by a pair of Detroit auto workers in 1982 simply for looking Japanese.John Ling Smith: a half-Chinese writer visiting China for the first time, to adopt a baby girl.Inspired by three figures who lived at pivotal moments in Chinese-American history, and drawing on his own mixed-race experience, Peter Ho Davies plunges us into what it is like to feel, and be treated, like a foreigner in the country you call home.Ranging from the mouth of the Pearl River to the land of golden opportunity, this remarkable novel spans 150 years to tell a tale of familial bonds denied and fragmented, of tenacity and pride, of prejudice and the universal need to belong.
In the wake of D-Day, the war brings two very different Germans to Wales. Captain Rotheram, a German Jewish refugee working for British Intelligence, arrives in the Black Mountains to interview a notorious captive Rudolf Hess. Further north, Karsten Simmering, a dutiful soldier struggling to reconcile his surrender with his sense of honour, is incarcerated in a new POW camp on the outskirts of a remote Snowdonian village. There he encounters Esther Williams, the seventeen-year-old daughter of a fiercely nationalist sheep-farmer, who dreams of a life beyond the narrow confines of her valley. As their lives intersect, all three will come to question where they belong and where their loyalties lie.Peter Ho Davies s thought-provoking and profoundly moving first novel traces a perilous wartime romance as it explores the bonds of love and duty that hold us to family, country, and ultimately our fellow man. Vividly rooted in history and landscape, The Welsh Girl reminds us anew of the pervasive presence of the past, and the startling intimacy of the foreign.
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