Bøger af Peter Lord

Looks at the development and teamwork involved in a major animated film or television production, using The Pirates! In an Adventure with Scientists! as an exemplar. This book presents behind-the-scenes insights into the making of feature film, Shaun the Sheep the Movie.

Tras sufrir un aparatoso accidente, Hagen y Selin abandonan el calor de su nido y se enfrentan por primera vez al bosque sin Papá y sin Mamá. Allí viven otras criaturas que intentarán retener por todos los medios a los recién llegados. Una fábula moderna de la que pueden extraerse profundas enseñanzas en cualquier etapa de la vida. Recomendado para libre pensadores, inconformistas e incluso "revolucionarios". Un regalo ideal para niños de primaria. Lo disfrutarán tanto adultos como niños. ¡Sencillo y profundo!

The six sequential essays in this collection provide anarrative of a century and a half of Welsh painting,written with an emphasis on issues of social classand national identity.

The fascinating and funny behind-the-scenes story of claymation experts Aardman Animations, from humble beginnings to Hollywood, told in their own words by Peter Lord, David Sproxton, Nick Park and Richard Starzak.

Christians often struggle with prayer because it has become a one-way conversation with the ceiling. It doesn't have to be this way! In this revised and updated edition of the classic bestseller, Peter Lord offers an easy-to-follow, step-by-step guide to developing a rich prayer life--moving believers from one-way communication to God to two-way communication with God. He answers such questions asCan I hear God's voice today?How can I discern the difference between God's voice and Satan's voice? How can I find God's will and direction for my life?and many moreGod still speaks today, and when believers pursue a dynamic personal relationship with him, they will learn to recognize and cherish his voice.

Discusses about Welsh pictures painted between the eighteenth and the twentieth centuries, and why they matter today. This book mainly concerns how pictures are understood by the people who use them - patrons, museum curators, and the general public - rather than by the painters who paint them.