Bøger af Peter Malone

Enliven your understanding of the Ten Commandments through the lens of popular movies! By exploring the drama of the moral life through movies, this volume grapples with the reality of temptation, choices, consequences and the faith-filled and informed Christian response. Movies include: Princess Caraboo, The Client, Witness, Cold Mountain, The Pianist, and more. Three movies are offered for each commandment: a film appropriate for a general adult audience, a film with themes calling for more in-depth discussion, and a film that treats more difficult issues.

As the art world expands globally, as art galleries become wholesalers to international art fairs, as museums and university art departments become entangled in the same irrational marketplace-artists-those individuals, without whom none of this would exist, remain as precariously positioned in this cultural matrix as ever. Back Words: one painter's voice in the conversation; is a narrative of a painter's search for an art of personal meaning and public relevance, that can withstand the hype and the fashion pressures of the contemporary art world, while striving to remain true to genuine contentions imposed by history and the substantial innovations of the last century. From childhood, though art school, graduate study, and as studio instructor and college art gallery director, Peter Malone takes the reader along as he revisits the events and influences that took him from geometric abstraction to the portrait. In offering the reader a rare look inside an artist's mind, Back Words provides a fresh and unique perspective on many commonly held notions regarding contemporary art and the education of artists.

Aiming for Excellence is the story of 50 years of YTU - the change & development in how theological education and formation began, adapted, transformed & the contribution of religious sisters & lay people.

How do we find Christ in films that are not directly about Jesus of Nazareth? This has been one of the recurring challenges to Peter Malone who has spent more than fifty years as a reviewer of films with a constant interest in uncovering themes, characters and plots that reveal Christ-like figures and images.Christ-figures - there on our screens is a fascinating insight into more than thirty films that the author explores for their - generally hidden - portrayals of characteristics that reflect the life and teaching of Jesus in the Gospels.The book is offered to help us reflect on the films and to discuss them in formal or informal groups. It will also be a rich resource for Religious Education when film becomes a way of helping students appreciate how the Gospel messages are interpreted, portrayed and lived.... a really fertile topic for examination and allows us to ask searching questions about how we may be afforded the opportunity to learn more about Christ through film and film through Christ. - Chris Deacy, Reader in Theology and Religious Studies, University of Kent.... presents readers with a stimulating unmasking of how movies work, why they work, and what drives film critics to make the judgments they do... This is an outstanding book by an inspiring scholar. - Peter Sheehan AO, Associate of Jesuit Media.Peter's writing provides us with contemporary theological language and keen insight that unpacks depictions of Christ and Christ-like characters.- Charles Watt, Deputy Principal: Faith and Mission, Genazzano College, Kew.Peter has highlighted the Jesus figure in some of my favourite movies, and now I have a whole new list for my 'to watch list'. - Sr Rita Malavisi, National Chair, Conference of Spiritual Directors Australia.

10 Minutes is a fresh way to approach the study of the Bible. Take 10 minutes, it suggests, to read a chapter in the book that will introduce a Bible story that will lead to another 10 minutes of reflection, prayer and sharing. The approach is described as 'writing your own Gospel' - inviting us to recall our own versions of the life and teachings of Jesus - those favourite passages that have shaped our personal (and group) identities as disciples within the community called the church.The approach acknowledges that this process probably reflects how the original stories were remembered, shared, modified and finally written down in the four Gospels in our New Testament. It is also an approach that, in our times, recognises the effect of film, stage and television on how those ancient messages have been shaped and recalled.The reflections in 10 Minutes will move our hearts and minds to learn anew the revelation of what our God is like through the life of Jesus and the teaching of the Gospel.

In Dear Movies, Peter Malone draws on his long experience of film reviewing and of writing and leading workshops on films and values. He has often been asked, 'What's your favourite film?' Dear Movies is part of his answer.He as chosen to write letters to over 100 movies, each letter beginning a conversation with the film, opening up some of their themes, their ways of telling stories, their roles as fables and parables. He also shares what each movie means to him, inviting us - the readers - to discover our dear movies: how the movies we enjoy help us to explore values, offering insights into the spirituality of daily living and more demanding challenges.He remembers that Jesus told stories about the ordinary, familiar things of everyday life - stories that still teach us to look more deeply into ourselves and identify what is real, lasting, precious, encouraging, difficult and demanding.This is the kind of storytelling we look for in films. Dear Movies reminds us that while we have always looked for values and spirituality in music, in the visual arts, in theatre, in poetry and novels, movies too invite us to share experiences and to connect film with our understanding of God's purposes for our lives.Reading Peter's Dear Movies is more than a joy and revelation. It is a reminder of the power of pictures, and the important role movies still play in al our lives today - Forward by Jan Epstein.

We all have many strands in our lives. In this memoir, Peter Malone takes us through his various strands. He is a man of a certain vintage, mainly Irish heritage. He grew up as a Catholic in a pre-Vatican II Church. His call was to a religious congregation from the late 1950s and to priesthood from the mid-1960s. For many years he worked in religious formation in his congregation and taught theology and Old Testaments Studies, as part of the Melbourne College of Divinity. But, in different ways throughout the years, there was always the cinema strand, reviewing, writing, seminars and heading up the Catholic Church's international cinema organisation and then SIGNIS, The World Catholic Association for Communication. It is now many films later! Peter Malone, Missionary of the Sacred Heart, ordained 1965, studied at the Australian National University and the Gregorian, Rome. He taught Old Testament studies as well as media at the Yarra Theological Union, Melbourne, and worked at the National Pastoral Institute and the Heart of Life Spirituality Centre. He has reviewed films since 1968 and written and lectured on cinema and spirituality.

Since the dawn of film in the 1890s, religious themes and biblical subjects have been a staple of cinema. One of the earliest focuses of screen presentations was the Bible, especially the New Testament and the Gospels. In Screen Jesus: Portrayals of Christ in Television and Film, Peter Malone takes a close look at films in which Jesus is depicted. From silent renditions of The Passion Play to 21st-century blockbusters like The Passion of the Christ, Malone examines how the history of Jesus films reflects the changes in artistic styles and experiments in cinematic forms for more than a century. In addition to providing a historical overview of the Jesus films, this book also reveals the changes in piety and in theological understandings of the humanity and divinity of Jesus over the decades.While most of the Jesus films come from the United States and the west, an increasing number of Jesus films come from other cultures, which are also included in this study. Fans and scholars interested in the history of religious cinema will find this an interesting read, as will students and teachers in cinema and religious studies, church pastors, parish groups, and youth ministry.