Bøger af Peter S. Wells

Examines the visual aspects of the archaeological evidence to investigate the role that visuality - the visual quality of things - played in the expression of the self, in interaction between members of social groups, in ritual activity, and in the creation and experience of cultural landscapes.

Who were the Iron Age peoples of Europe? Information about them comes from Greek and Roman writers - not from the native peoples themselves. This book examines the archeological evidence to understand how late prehistoric groups constructed and expressed their identities.

This book presents preliminary results of excavations by the University of Minnesota at the Late Iron Age oppidum settlement of Kelheim, Bavaria, 1987-1991. It includes analytical studies of materials studied

The peoples who inhabited Europe during the two millennia before the Roman conquests had established urban centers, large-scale production of goods such as pottery and iron tools, a money economy, and elaborate rituals and ceremonies. Yet as Peter Wells argues here, the visual world of these late prehistoric communities was profoundly different from those of ancient Rome's literate civilization and today's industrialized societies. Drawing on startling new research in neuroscience and cognitive psychology, Wells reconstructs how the peoples of pre-Roman Europe saw the world and their place in it. He sheds new light on how they communicated their thoughts, feelings, and visual perceptions through the everyday tools they shaped, the pottery and metal ornaments they decorated, and the arrangements of objects they made in their ritual places--and how these forms and patterns in turn shaped their experience. How Ancient Europeans Saw the World offers a completely new approach to the study of Bronze Age and Iron Age Europe, and represents a major challenge to existing views about prehistoric cultures. The book demonstrates why we cannot interpret the structures that Europe's pre-Roman inhabitants built in the landscape, the ways they arranged their settlements and burial sites, or the complex patterning of their art on the basis of what these things look like to us. Rather, we must view these objects and visual patterns as they were meant to be seen by the ancient peoples who fashioned them.

A rich and surprising look at the robust European culture that thrived after the collapse of Rome.

The previously untold story of the watershed battle that changed the course of Western history.

Re-creates the story of Europe's indigenous people who were nearly stricken from historical memory even as they adopted and transformed aspects of Roman culture. This book shows that these societies did grow more cosmopolitan under Roman occupation, but that the people were much more than passive beneficiaries.