Bøger af Philip Kitcher

The Rich and the Poor is part chronicle, part analysis of a disturbing sea-change: the abandonment of ethics in public policy. Seventy years ago, it was possible for serious thinkers, including some in the governments of affluent nations, to consider policies for raising living standards worldwide. Today, by contrast, the principal policy questions revolve around how to stay on top in a dog-eat-dog world.  Philip Kitcher, one of the world's most eminent philosophers, offers a new account of how ethics and politics should mix. The world needs to explore and reprioritize ethical questions, through inclusive deliberation that is both factually informed and mutually engaged with other perspectives. Achieving that end is hard, but without aspiring to it, we are likely to condemn our successors to lives of great hardship. Climate change demands global cooperation of a kind that can only be obtained by returning to ethical inquiry. The divorce between ethics and economics threatens disaster for all.

Philip Kitcher examines the intense debate about the role that science plays in shaping our lives. He works out a more realistic image of the sciences -- one that allows for the possibility of scientific truth, but nonetheless permits social consensus to determine which avenues to investigate.

From Simon & Schuster, The Lives to Come is Philip Kitcher's exploration of the genetic revolution and human possibilities.In this book, Kitcher offers a framework for thinking about the moral, social, and political questions raised by the Human Genome Project. They reveal ways in which new biomedical tools can improve the quality of human lives.

Principles of right and wrong guide the lives of almost all human beings, but we often see them as external to ourselves, outside our own control. In a revolutionary approach to the problems of moral philosophy, Philip Kitcher makes a provocative proposal: Instead of conceiving ethical commands as divine revelations or as the discoveries of brilliant thinkers, we should see our ethical practices as evolving over tens of thousands of years, as members of our species have worked out how to live together and prosper. Elaborating this radical new vision, Kitcher shows how the limited altruistic tendencies of our ancestors enabled a fragile social life, how our forebears learned to regulate their interactions with one another, and how human societies eventually grew into forms of previously unimaginable complexity. The most successful of the many millennia-old experiments in how to live, he contends, survive in our values today.Drawing on natural science, social science, and philosophy to develop an approach he calls "pragmatic naturalism," Kitcher reveals the power of an evolving ethics built around a few core principles-including justice and cooperation-but leaving room for a diversity of communities and modes of self-expression. Ethics emerges as a beautifully human phenomenon-permanently unfinished, collectively refined and distorted generation by generation. Our human values, Kitcher shows, can be understood not as a final system but as a project-the ethical project-in which our species has engaged for most of its history, and which has been central to who we are.

Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.

In this book Philip Kitcher argues against this 'mathematical apriorism.' He offers a fresh, alternative approach that links mathematics to natural science and portrays mathematics as a body of knowledge that evolves through its history.