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  • af Professor Louis Zukofsky
    96,95 kr.

    Dedicated to the discussion and celebration of innovative fiction, the Review of Contemporary Fiction has featured the most influential authors of the twentieth century for over twenty years.This summer, with the issue on New Japanese Fiction, RCF will return to featuring interesting new fiction from around the world. This issue builds on a tradition in place since the origin of RCF, and has included publication of issues devoted to: New Italian Fiction (156478-121-6), New Danish Fiction (1-56478-127-5), New Finnish Fiction (1-56478-098-8) and New Latvian Fiction (1-56478-178-X).The fall issue highlights the new format for RCF, featuring long essays on two to four authors that provide both an introduction to their fiction and interpretative strategies for reading their work. For a complete list of recent issues.In addition, each issue features an extensive book review section, focused on contemporary fiction that is generally not reviewed by the mainstream media.

  • af Professor Louis Zukofsky
    175,95 kr.

    Zukofsky (1904-78) is the great musician of difficulty in the American modernist band: words, in his poetry, are motes of magnetized dust swirling in light. His prose is slighter, best enjoyed on the terms of the rather precious connoisseurship it demands. The major work here is the novella, "Little," about a child prodigy modeled after Zukofsky's own violin virtuoso son, Paul (who provides an afterword here). It's a fey and airy piece, funny for its Yiddish-based names - von Chulnt, Verchadet, Dreykup (a portrait of Ezra Pound) - and its light comedy supporting the trials of art-making among the vulgarians. But story or character is less than secondary: what Zukofsky the poet stays solely interested in here are the turns in the course of any given sentence-"He saw a frail lady uppermost in mauve gauze, head wobbling at first, cheeks rouged into two small suns that with the frenzied decisiveness of a pinwheel on its stick whirred quickly past three oblivious parishoners to the seat beside him." Bagatelles. (Kirkus Reviews)

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