Bøger af Publio Terencio Africano

Questo libro raccoglie la commedia dell'autore romano Publio Terenzio Afro. Le commedie di Terenzio sono famose per le loro trame divertenti e spiritose, che si concentrano spesso su questioni di amore e relazioni. Una lettura divertente e leggera per tutti coloro che amano la commedia classica!This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Comédies De Térence Publio Terencio Africano Dacier Chez Arkstée et Merkus, 1747

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Las Seis Comedias De Terencio: Conforme A La Edicion De Faerno Impresas En Latin I Traducidas En Castellano; Las Seis Comedias De Terencio: Conforme A La Edicion De Faerno Impresas En Latin I Traducidas En Castellano; Gabriello Faerno Publio Terencio Africano, Elio Donato Gabriello Faerno Pedro Simón Abril en la Oficina de Benito Monfort, junto al Hospital de los Estudiantes, 1762

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Publii Terentii Comoediae Expurgatae Publio Terencio Africano Joseph de Jouvancy apud Nicolaum Pezzana, 1740

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Publii Terentii Afri Comoediae Ex Optimarum Editionum Textu Recensitae Quas Adnotatione Perpetua, Variis Disquisitionibus Et Indice Rerum Locupletissimo Illustravit, Volume 1; Bibliotheca Classica Latina Sive Collectio Auctorum Classicorum Latinorum; Publii Terentii Afri Comoediae Ex Optimarum Editionum Textu Recensitae Quas Adnotatione Perpetua, Variis Disquisitionibus Et Indice Rerum Locupletissimo Illustravit; Nicolas-Eloi Lemaire Publio Terencio Africano Nicolas-Eloi Lemaire Colligebat Nicolaus Eligius Lemaire, 1827

Cuando el poeta se decidió a escribir comedias, sólo esta empresa creyó echar sobre sí: la de componer sus fábulas de suerte que diesen gusto al pueblo. Mas ahora advierte que las cosas van muy al revés, pues se ve obligado a forjar prólogos, no para declarar el argumento, sino en respuesta a las malévolas censuras de un poeta rancio. Suplícoos, pues, que oigáis con atención de qué le reprenden.Menandro compuso La Andriana y La Perintia. Quien la una de ellas conociere bien, conocerá las dos, según ambas son de argumento semejante, aunque por el diálogo y el estilo diferentes. Todo lo que de La Perintia cuadraba para La Andriana, Terencio confiesa haberlo trasladado, sirviéndose de ello cual si fuese de su propia invención. Y esto es lo que sus enemigos le censuran. Porque dicen que no es bien hacer de varias una sola fábula. Presumiendo de muy sabios, muestran saber poco; pues al acusarle de esto, acusan por igual a Nevio, a Plauto, a Ennio, a quienes nuestro poeta tiene por maestros, y cuya libertad más precia él imitar que no la obscura exactitud de esos censores. Les aconsejo que, de hoy más, cierren el pico y dejen de murmurar, si no quieren oír sus defectos.Prestadle vuestro favor, asistid de buena voluntad y oíd la comedia, para que sepáis lo que promete, y si las que hará de nuevo serán dignas o no de ser representadas.