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Poet, novelist, literary critic, and teacher, Randall Jarrell was a writer with many facets, but most of all, he was a poet with a unique voice, one that was by turns imaginative, realistic, sensitive, and ironic. From the narratives of army life during the Second World War to the domestic scenes he wrote about so movingly in his final book, The Lost World, Jarrell's poems are marked throughout by a voice that could be astonishingly intimate or could open up to speak to our common humanity. This collection, prepared by William H. Pritchard, presents some of Jarrell's finest poems to a new generation of readers.
Poet, novelist, critic, and teacher, Randall Jarrell was a diverse literary talent with a distinctive voice, by turns imaginative, realistic, sensitive, and ironic. His poetry, whether dealing with art, war, memories of childhood, or the loneliness of everyday life, is powerful and moving. A poet of colloquial language, ample generosity, and intimacy, Jarrell wrote beautifully "of the American landscape," as James Atlas noted in American Poetry Review, "[with] a broad humanism that enabled him to give voice to those had been given none of their own."The Complete Poems is the definitive volume of Randall Jarrell's verse, including Selected Poems (1955), with notes by the author; The Woman at the Washington Zoo (1960), which won the National Book Award for Poetry; and The Lost World (1965), "his last and best book," according to Robert Lowell. This volume also brings together several of Jarrell's uncollected or posthumously published poems as well as his Rilke translations.
There was once a little brown bat who couldn't sleep days—he kept waking up and looking at the world. Before long he began to see things differently from the other bats, who from dawn to sunset never opened their eyes. The Bat-Poet is the story of how he tried to make the other bats see the world his way.
These papers from the poet and critic Randall Jarrell include letters from Jarrell to Peter Taylor, publication of which was withheld during Taylor's lifetime. These letters add a further dimension of friendship and intellect to this behind-the-scenes glimpse of American literary history.
Offer readings of Auden's works and illuminates his use of stylistic registers and poetic genres. This book traces the ideas and ideologies that animated and overwhelmed Auden's poetry. It considers the influence of left-liberal politics, psychoanalytic and evolutionary theory, and Christian theology that characterized Auden's poems of the 1940s.
Beneath the unassuming surface of a progressive women's college lurks a world of intellectual pride and pomposity awaiting devastation by the pens of two brilliant and appalling wits.
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