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Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. Raya Morag analyzes how Post-Khmer Rouge Cambodian documentarians propose a direct confrontation between the first-generation survivor and the perpetrator of genocide.
Waltzing with Bashir proposes a new paradigm for cinema trauma studies - the trauma of the perpetrator. Recognizing a current shift in interest from the trauma suffered by victims to that suffered by perpetrators, the book seeks to theorize this yet under-theorized field.
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