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Here, Baxstrom and Meyers examine how violence and an unmarked, stubbornly persistent conception of "nature" weave into the fabric of the human in the recent work of three important filmmakers: Werner Herzog, Joshua Oppenheimer (particularly The Act of Killing and The Look of Silence) and Lucien Castaing-Taylor.
Realizing the Witch follows the unfolding of Benjamin Christensen's visual narrative in his 1922 film, Haxan (The Witch). Through a close reading of Haxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas.
Tells about the transformation of urban space and the reordering of the demographic character of Brickfields, one of the oldest neighborhoods in Kuala Lumpur. This book combines methods of anthropological research and an engagement with the work of theorists such as Gilles Deleuze and Henri Lefebvre.
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