Bøger af Richard Davey

Set against the backdrop of seventeenth-century France, Richard Davey's A Royal Amour tells the story of a young woman's journey from obscurity to power, love, and tragedy. Through a series of chance encounters and daring gambits, Anne de Rohan-Chabot rises from humble origins to become the mistress of King Louis XIV, wielding her influence and charm to shape the course of French history. With its vivid characters and intricate plot, A Royal Amour is a captivating read for fans of historical romance and drama.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""The Sultan and His Subjects V1"" is a book written by Richard Davey that explores the history and culture of the Ottoman Empire during the reign of Sultan Abdul Hamid II. The book covers a wide range of topics including the political and social structure of the empire, the role of religion in society, and the relationship between the sultan and his people. Davey draws on a variety of sources including primary documents and personal accounts to provide a detailed and engaging account of this fascinating period in history. He also offers insights into the challenges faced by the Ottoman Empire during this time, including the rise of nationalism and the pressures of modernization. Overall, ""The Sultan and His Subjects V1"" is a comprehensive and insightful look at one of the most important periods in Ottoman history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Pageant Of London, Volume 2; The Pageant Of London; Richard Davey Richard Davey John Fulleylove Methuen & co., 1906 London (England)

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. ALTHOUGH tradition has not informed us whether our first parents made any marked change in their scanty garments on the death of their near relatives, it is certain that the fashion of wearing mourning and the institution of funereal ceremonies and rites are of the most remote antiquity. Herodotus tells us that the Egyptians over 3,000 years ago selected yellow as the colour which denoted that a kinsman was lately deceased. They, moreover, shaved their eyebrows when a relative died; but the death of a dog or a cat, regarded as divinities by this curious people, was a matter of much greater importance to them, for then they not only shaved their eyebrows, but every hair on their bodies was plucked out; and doubtless this explains the reason why so many elaborate wigs are to be seen in the various museums devoted to Egyptian antiquities. It would require a volume to give an idea of the singular funereal ceremonials of this people, with whom death was regarded, so to speak, as a "speciality;" for their religion was mainly devoted to the cultus of the departed, and consequently innumerable monumental tombs still exist all over Egypt, the majority of which are full of mummies, whose painted cases are most artistic.

The Sisters of Lady Jane Grey and Their Wicked Grandfather

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The book "" Cuba Past and Present "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The subjects and styles of Anthony Whishaw encompass an exceptional range. He paints in concurrent series, which sometimes overlap to form unexpected hybrids. His paintings can be both figurative and abstract, illustrative and allusive. Whishaw also employ a broad range of media. This title deals with his work.

This is an earnest description of the Muslim and Christian nationalities under the Ottoman Empire. The Illustrated London News described it as "a skillful narrative...The personal element invests Mr. Davey's story with enthralling interest, which sustains his readers to the end."

Born in Germany in 1945, Anselm Kiefer is one of the most important artists of his generation. His works wrestle with the darkness of German history, unearthing the taboos that underlie the collective past and interweaving them with Teutonic myths, cosmology and meditations on the nature of belief. This title explores the themes of Kiefer's ouvre.