Bøger af Richard Fardon

This shows that multilingusim does not pose for Africans the problems of communication that Europeans imagine and that the mismatch between policy statements and their pragmatic outcomes is a far more serious problem for future development

Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner's concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.

Mary Douglas was one of the most regarded anthropologists of the 20th Century. This is a collection of her latest essays on culture, previously uncollected, from the last decade and a half of her life.

A full length account of the life and ideas of Mary Douglas, the British social anthropologist whose publications span the second half of the twentieth century. Fardon covers Douglas' family background and the influence of her catholic faith before providing an analysis of two of her major works, PURITY AND DANGER and NATURAL SYMBOLS.

Lela in Bali tells the story of an annual festival of eighteenth-century kingdoms in Northern Cameroon that was swept up in the migrations of marauding slave-raiders during the nineteenth century and carried south towards the coast. Lela was transformed first into a mounted durbar, like those of the Muslim states, before evolving in tandem with the German colonial project into a festival of arms. Reinterpreted by missionaries and post-colonial Cameroonians, Lela has become one of the most important of Cameroonian festivals and a crucial marker of identity within the state. Richard Fardon's recuperation of two hundred years of history is an essential contribution not only to Cameroonian studies but also to the broader understanding of the evolution of African cultures.

A biting satire on corruption, Xala set the standard for the new wave of African cinema. This is a dazzlingly illustrated reflection on West African cultural practices -- literary, social and visual -- and one of a kind.

A study of the Chamba religion in two West African villages - one in Cameroon and one in Nigeria.