Bøger af Richard Jefferies

""Field and Hedgerow: Being the Last Essays of Richard Jefferies"" is a collection of essays written by the English nature writer Richard Jefferies. The book was published posthumously in 1889, a year after Jefferies died at the age of 38. The essays in this book are a celebration of the English countryside, its wildlife, and the simple joys of rural life. Jefferies writes about the changing seasons, the beauty of the landscape, and the habits of birds and animals. He also reflects on the history and culture of rural England, and the role of the countryside in shaping the national character. The book is a poignant reminder of the beauty and fragility of nature, and a tribute to the author's love of the land.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - St. Guido ran out at the garden gate into a sandy lane, and down the lane till he came to a grassy bank. He caught hold of the bunches of grass and so pulled himself up. There was a footpath on the top which went straight in between fir-trees, and as he ran along they stood on each side of him like green walls. They were very near together, and even at the top the space between them was so narrow that the sky seemed to come down, and the clouds to be sailing but just over them, as if they would catch and tear in the fir-trees. The path was so little used that it had grown green, and as he ran he knocked dead branches out of his way. Just as he was getting tired of running he reached the end of the path, and came out into a wheat-field. The wheat did not grow very closely, and the spaces were filled with azure corn-flowers. St. Guido thought he was safe away now, so he stopped to look.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This new critical edition situates 'After London' in a tradition of mid-late Victorian texts that respond to the evolutionary theories of Charles Darwin and Alfred Russel Wallace and responds to a host of other key social, political, and cultural issues of the period.

A collection of essays that attempt to distill the essence of nature, and of life in the country into prose, and to impart the wonder the author feels when immersed in nature. In all the pieces collected in this book, a different aspect of the countryside or its people is brought to life.

Traces the course of a spring which rises on an Iron Age hillfort and gradually broadens into a brook, flows through a nearby village and hamlet, skirts a solitary farmhouse and its orchard, before draining into water meadows and a lake where the wildfowl nest. This book presents the details of this ancient landscape, its people and the habitats.

Richard Jefferies (1848-87) remains one of the most thoughtful and most lyrical writers on the English countryside. This two-volume work, first published in 1880, contains a collection of essays vividly describing the daily life, hardships and pleasures of Victorian English farmers, labourers and their wives.

Richard Jefferies (1848-1887) remains one of the most thoughtful and most lyrical writers on the English countryside. First published in 1884, this volume contains a collection of previously published articles and essays, in which Jefferies describes rural life and folk traditions in England in his highly descriptive style.

Richard Jefferies (1848-87) remains one of the most thoughtful and most lyrical writers on the English countryside. This volume, first published posthumously in 1892, contains a collection of essays vividly describing the daily life, circumstances and hardships of Victorian English farmers, labourers and their wives.

Richard Jefferies (1848-1887) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when collected in book form brought him recognition (though not wealth), and which continued to be read and admired after his early death. Wild Life in a Southern County, published in 1879, examines the habitats of the Downs and the birds and animals which live there. Written in Jefferies' highly descriptive style, these essays reveal his deep love and knowledge of the countryside. The sense of wonder evoked by the natural world, which permeates all of Jefferies' works, is fully exemplified in this volume.

Richard Jefferies (1848-87) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when brought together in book form brought him recognition (though not wealth) and which continued to be read and admired after his early death. The Gamekeeper at Home and The Amateur Poacher (also reissued in this series) were both collections of essays in the style of reminiscences of a rural way of life which, though never idyllic, was by the 1870s beginning to undergo a period of rapid change, through both the onset of mechanisation and agricultural depression.

Richard Jefferies (1848-87) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when brought together in book form brought him recognition (though not wealth) and which continued to be read and admired after his early death. The Gamekeeper at Home (also reissued in this series) and The Amateur Poacher were both collections of essays in the style of reminiscences of a rural way of life which, though never idyllic, was by the 1870s beginning to undergo a period of rapid change, through both the onset of mechanisation and agricultural depression.

Some of the most striking passages in The Story of My Heart are descriptions of the controlled chaos of London, which represented for Jefferies the vortex of modern modern human life, a force that is 'driving, pushing, carried on in a stress of feverish force like a bullet'.