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Preface: "Those who delight in roaming about amongst the fields and lanes, or have spent any time in a country house, can hardly have failed to notice the custodian of the woods and covers, or to observe that he is often something of a "character." The Gamekeeper forms, indeed, so prominent a figure in rural life as almost to demand some biographical record of his work and ways. From the man to the territories over which he bears sway-the meadows, woods, and streams-and to his subjects, their furred and feathered inhabitants, is a natural transition. The enemies against whom he wages incessant warfare-vermin, poachers, and trespassers-must, of course, be included in such a survey. Although, for ease and convenience of illustration, the character of a particular Keeper has been used as a nucleus about which to arrange materials that would otherwise have lacked a connecting link, the facts here collected are really entirely derived from original observation."
This sci-fi classic depicts a London destroyed by a cataclysmic event, with the remnants of England's population beginning a primitive society in the countryside.With a background in studying the rural regions of England, professional naturalist turned novelist Richard Jefferies took to authoring a story that imagined a world in which nature emerges victorious over the encroaching industrialized world. London - the epicentre of urban activity and industrial progress - undergoes a disaster which wipes its human population, and much of England's, from existence.Jefferies investigates the aftermath of the disaster, as communities of people begin to form anew. The traces of London are gradually subsumed by nature, its ruined buildings worn away by water, plants and trees rising to reclaim the land upon which the metropolis sat. By contrast nature and man flourish anew in a mostly harmonious partnership.
This sci-fi classic depicts a London destroyed by a cataclysmic event, with the remnants of England's population beginning a primitive society in the countryside.With a background in studying the rural regions of England, professional naturalist turned novelist Richard Jefferies took to authoring a story that imagined a world in which nature emerges victorious over the encroaching industrialized world. London - the epicentre of urban activity and industrial progress - undergoes a disaster which wipes its human population, and much of England's, from existence.Jefferies investigates the aftermath of the disaster, as communities of people begin to form anew. The traces of London are gradually subsumed by nature, its ruined buildings worn away by water, plants and trees rising to reclaim the land upon which the metropolis sat. By contrast nature and man flourish anew in a mostly harmonious partnership.
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
This sci-fi classic depicts a London destroyed by a cataclysmic event, with the remnants of England's population beginning a primitive society in the countryside.With a background in studying the rural regions of England, professional naturalist turned novelist Richard Jefferies took to authoring a story that imagined a world in which nature emerges victorious over the encroaching industrialized world. London - the epicentre of urban activity and industrial progress - undergoes a disaster which wipes its human population, and much of England's, from existence.Jefferies investigates the aftermath of the disaster, as communities of people begin to form anew. The traces of London are gradually subsumed by nature, its ruined buildings worn away by water, plants and trees rising to reclaim the land upon which the metropolis sat. By contrast nature and man flourish anew in a mostly harmonious partnership.Today, After London is considered an early example of apocalyptic science fiction, a novelization of the author's own distrust and distaste for the cramped, polluted conditions that rapid industrialization brought upon England. It is his want of a world reborn that produces the most evocative passages, with many such descriptions serving as a philosophic forerunner to modern, environmentalist and conservationist movements.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We havent used any OCR or photocopy to produce this book. The whole book has been typeset again to produce it without any errors or poor pictures and errant marks.
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