Bøger af Richard McLauchlan

In the early second century CE, someone was described as playing a pipe 'with a bag tucked under his armpit.' That man, the first named piper in history, was the Roman Emperor Nero. Since then, this improbable conflation of bag and sticks has become one of the most beloved and contested instruments of all time. When another piping emperor, Tsar Peter the Great, watched his pet bear take its last breath, he decided the creature would live on-as a bagpipe. This rich and vivid history tells the story of an instrument boasting over 130 varieties, yet commonly associated with just one form and one country: Scotland, and its familiar Great Highland Bagpipe. In fact, the pipes are played across the globe, and their story is a highly diverse one, which illuminates society in remarkable, unexpected ways. Richard McLauchlan charts the rise of women pipers; investigates how class, privilege and capitalism have shaped the world of piping; and explores how the meaning of a 'national instrument' can shift with the currents of a people's identity. The vibrancy and inventiveness characterising today's pipers still speak to the potency of this fabled and once-feared instrument, to which McLauchlan is our surefooted guide.

In 1974, to mark The Edinburgh Academy's 150th anniversary, alumnus Magnus Magnusson released The Clacken and the Slate, a book which painted a picture of a leading educational establishment. This bold new history, released in the school's 200th year, revisits and expands upon Magnusson's account to tell a more far-reaching, more complex story.

An elegant, revealing portrait of a remarkable family that helped to shape the politics, arts and sciences of modern Britain.

R. S. Thomas is recognised globally as one of the major poets of the twentieth century. Such detailed attention as has been paid to the religious dimensions of his work has, however, largely limited itself to such matters as his obsession with the 'absent God', his appalled fascination with the mixed cruelty and wonder of a divinely created world, his interest in the world-view of the 'new physics', and his increasingly heterodox stance on spiritual matters. What has been largely neglected is his central indebtedness to key features of the 'classic' Christian tradition. This book concentrates on one powerful and compelling example of this, reading Thomas's great body of religious work in the light of the three days that form the centre of the Gospel narrative; the days which tell of the death, entombment and resurrection of Christ.