Bøger af Richard Polt

The connoisseur's guide to the typewriter, entertaining and practical.

Richard Polt provides a lively and accessible introduction to one of the most influential and intellectually demanding philosophers of the modern era. Covering the entire range of Heidegger's thought, Polt skillfully communicates the essence of the...

Offering new insights into Heidegger's thought based on recently published texts, Richard Polt, one of the most respected contemporary commentators on Heidegger, presents a critical perspective that draws creatively on Heidegger's thinking and makes original proposals for understanding human existence.

A companion to Heidegger's "Introduction to Metaphysics". It presents an overview of the text and a variety of perspectives on its interpretation from more than a dozen respected contributors. The editors' introduction seeks to alert readers to the important themes and problems.

"The heart of history, for Heidegger, is not a sequence of occurrences but the eruption of significance at critical junctures that bring us into our own by making all being, including our being, into an urgent issue. In emergency, being emerges."--from The Emergency of BeingThe esoteric Contributions to Philosophy, often considered Martin Heidegger's second main work after Being and Time, is crucial to any interpretation of his thought. Here Heidegger proposes that being takes place as "appropriation." Richard Polt's independent-minded account of the Contributions interprets appropriation as an event of emergency that demands to be thought in a "future-subjunctive" mode. Polt explores the roots of appropriation in Heidegger's earlier philosophy; Heidegger's search for a way of thinking suited to appropriation; and the implications of appropriation for time, space, human existence, and beings as a whole. In his concluding chapter, Polt reflects critically on the difficulties of the radically antirationalist and antimodern thought of the Contributions.Polt's original reading neither reduces this challenging text to familiar concepts nor refutes it, but engages it in a confrontation--an encounter that respects a way of thinking by struggling with it. He describes this most private work of Heidegger's philosophy as "a dissonant symphony that imperfectly weaves together its moments into a vast fugue, under the leitmotif of appropriation. This fugue is seeded with possibilities that are waiting for us, its listeners, to develop them. Some are dead ends--viruses that can lead only to a monolithic, monotonous misunderstanding of history. Others are embryonic insights that promise to deepen our thought, and perhaps our lives, if we find the right way to make them our own."

Heidegger's Being and Time: Critical Essays provides a variety of recent studies of Heidegger's most important work. Twelve prominent scholars, representing diverse nationalities, generations, and interpretive approaches deal with general methodological and ontological questions, particular issues in Heidegger's text, and the relation between Being and Time and Heidegger's later thought. All of the essays presented in this volume were never before available in an English-language anthology. Two of the essays have never before been published in any language (Dreyfus and Guignon); three of the essays have never been published in English before (Grondin, Kisiel, and ThomS), and two of the essays provide previews of works in progress by major scholars (Dreyfus and Kisiel).

Polt unpacks Heidegger's central ideas in a straightforward way without sacrificing any of their richness, novelty or complexity. He explains abstruse ideas with examples and steers a course between competing schools of Heidegger interpretation