Bøger af Richard Robinson

John McGahern's work is not easily conceived of as belatedly modernist. His memorialising, faintly archaic style implies a concern with 'making it old' rather than new, suggesting the symptomatic diffidence of many who wrote in the wake of modernism. Nevertheless, McGahern's statements about the 'presence' of words and the hard-won impersonality of the artwork point to a covert engagement with modernist aesthetics. Offering intertextual interpretations of McGahern's six novels, and of thematically grouped short stories, Richard Robinson reads McGahern's fiction alongside writing by Joyce, Proust, Yeats, Beckett, Nietzsche, Lawrence and Chekhov, amongst others. Drawing out the ways in which McGahern's fiction conceals and reveals its modernist traces, this study considers subjects such as 'low' modernism, the complexity of McGahern's time-writing and his dialectical construction of the relationship between cultural tradition and modernity in Ireland. McGahern's narratives of melancholic return are often read psycho-biographically, but they also involve a return to the remnants of literature, including that of the modernist canon. This book will be of interest not only to McGahern scholars but also to those who contemplate the compromised legacies of literary modernism in late-twentieth century and contemporary writing.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The economic context of this text is presented at the level of an introductory micro-economics course. Some calculus is presented in footnotes in a few chapters, except for Chapter IX where it is used for the development of the concepts of market power. Since elementary calculus is required in the undergraduate curriculum for both economics and business students, this mathematical and associated graphical analysis is appropriate for this exploration. Those wishing to avoid this mathematics, however, should still benefit from the material of pages 1 - 6, and 22 - 30 of Chapter IX, where mathematical expositions are not present. It should be recognized that the mathematical sophistication utilized in this text does not exceed that usually found in intermediate microeconomics texts. Of course not all of modern ethical philosophy as it applies to economics and business decisions could be included in any single text. In particular, I have not included the considerably important explorations of the Nobel Laureate Amartya Sen because his work is largely focused on the public policy implications of economics rather than the foundations of individual decision making. The latter is the subject of this text although public policy implications are also partly reviewed. Perhaps a more extensive analysis can be authored in the future so that disappointed instructors can be better served.

What does an artist learn from 80 days in the tropics?In August 2012 New Zealand artist Richard Robinson moved to Hawai'i for 3 months with his Wife and two children. The goal was threefold - escape the winter, have a family adventure and paint with lots of local artists.This book is a painter's diary - a collection of thoughts, realisations, notes, techniques and even an epiphany or two, written to inspire and enlighten any landscape painter or art lover with a thirst for tropical adventure and practical painting know-how.

What does an artist learn from 3 months in a painter's paradise? In 2014 New Zealand artist Richard Robinson visited the Queenstown area of New Zealand for 3 months to paint some of the most spectacular scenery on the planet. It's a tough job, but someone's got to do it. This book is a painter's diary - a collection of thoughts, realisations, notes, techniques and even an epiphany or two, written to inspire and enlighten any landscape painter or art lover with a thirst for adventure and practical painting know-how. Enjoy.

What does an artist learn from 3 weeks in California? In April 2013 New Zealand artists Richard Robinson and John Crump visited California for 3 weeks. For 4 days they were faculty members at the Plein Air Painting Convention in Monterey. The rest of the time they were lost in the landscape. This book is a painter's diary - a collection of thoughts, realisations, notes, techniques and even an epiphany or two, written to inspire and enlighten any landscape painter or art lover with a thirst for adventure and practical painting know-how. Enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Fêtes Galantes & Songs Without Words are the 2nd and 4th books of poetry by French poet and author Paul Verlaine. Fêtes Galantes (Fêtes Galantes in French) was originally published in 1869. A common theme running through these poems is the scenes, characters, and props of French comedy, semi-civilized pastorals, and commedia dellʼarte, - figures like Harlequin, Colombine, Pierrot, Leandre, the Innamorati, etc., against natural backdrops and dreamy Watteau-like landscapes, with all the appurtenances that one might expect: mandolins, lutes, masques, moonlight, prettily-clad women, moss-covered benches... - interfused with the poetʼs feelings, melancholy, amorous longings, joys, and regrets. Songs Without Words (Romances sans paroles in French) was originally published in 1874. The common theme in these poems is the amorous and sentimental love lost, found, and lost again between the poet and his childhood female cousin, or his child wife, or his new-found friend and fellow poet Arthur Rimbaud against a backdrop of the Ardennes, the Belgian countryside, Brussels, and London. It includes perhaps Verlaineʼs most famous poem: "Il pleure dans mon coeur..."

Offers a user guide to financial services and understanding how the various parts need to interact in order to support a functional marketplace. This is an essential read for both seasoned professionals as well as being accessible to those new to the industry.

This unique volume provides a survey of U.S. business history in a chronological framework.

This study develops the calculus which, if used in selecting overseas projects, structuring international enterprises, and resolving operatonal problems, would reduce the area of conflict in business and become a more viable international concept.

The first chronology of worldwide business history, this volume complements Robinson's earlier chronology, United States Business History, 1602-1988. It records representative events in the evolution of business, identifying entrepreneurs, managers, and enterprises, and also records general background events relevant to the marketplace.

The purpose of this book is to clarify the concept of definition and improve defining activities.