Gør som tusindvis af andre bogelskere
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The adventure continues. Tim and the C&C gang face their most difficult challenges yet. Horses die. Eyeballs are eaten. People are urinated on. A god is born.
Finding themselves permanently stuck in this strange new world, the gang tries to make the best of it by finding the nearest tavern and getting shitfaced. The plan goes just fine until they lose Katherine and Chaz. They soon discover that they aren't the first players Mordred has sent to this world.
Going back home was not exactly what Tim and the C&C gang expected. Trouble continues to follow them back to Gulf Coast Mississippi. Trouble... and a gnome... and an undead midget.
What if you and your friends got to live the game for real? What if you and your friends were assholes?After relentlessly mocking their strange new Game Master, Tim and his friends find themselves trapped in the bodies of their fantasy game characters, in a world where the swords, the magic, and the gastrointestinal issues are all too real. They learn hard lessons about tolerance and teamwork, and a new meaning for the term "dump stat". Ha ha. Just kidding. They don't learn shit.Never before have comedy and fantasy come together so much like a train wreck, in which each train was carrying a shipment of burning dumpsters. You just can't help but continue to stare.Don't be the last of your circle of nerds to read this book. Shake the Dorito crumbs out of your neck beard, grab your large sack, and prepare to enter the world of Caverns & Creatures.
Many view "hitting rock bottom" as foundation on which to rebuild one's life, a place from which one can only ascend.Gamers know to search for a secret door leading down to the sewer.
Crumbled shells of mosques in Iraq, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The author highlights a range of wars and conflicts in which the destruction of architecture was pivotal.
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