Bøger af Robert Bringhurst

A new collection from one of Canadäs finest contemporary poets. In The Ridge, Robert Bringhurst offers a work of nonfiction in poetic form, intensely focused on the ecological past, present and future of the West Coast of Canada.At the book¿s heart is a long poem, ¿The Ridge,¿ in which Bringhurst makes meticulous use of scientific language and, with a poet¿s perspective and precision, translates abstract concepts into tangible and devastating imagery. Global energy consumption is measured in cords of wood instead of BTUs or megawatts; subatomic particles demarcating time and space are prayer flags tearing free in the slow destruction of the solar system. In dazzling prose that weaves together the physical and the metaphysical, Bringhurst shifts his attention from tiny spores to fish farms, the spirit world, telescopes and epistemology.Beautiful, profound and insightful, The Ridge reflects the author¿s reputation as one of Canadäs most esteemed poets.

"Poems, where I come from," writes Robert Bringhurst, "are spoken to be written and written to be spoken. "The Tree of Meaning" is a book of critical prose composed in the same way." Together, these thirteen lectures present a superbly grounded approach to the study of language, focusing on storytelling, mythology, comparative literature, humanity, and the breadth of oral culture. Bringhurst's commitment to what he calls "ecological linguistics" emerges in his studies of Native American art and storytelling, his understanding of poetry, and his championing of a more truly universal conception of what constitutes literature. This collection features a sustained focus on Haida culture, the process of translation, and the relationship between beings and language. Compiling ten years of work, this book is remarkable not only for the cohesion of its author's own ideas, but for the synthesis of such wide-ranging perspectives and examples of cultures both human and nonhuman. Applying his trademark enthusiasm and ecologically conscious, humanitarian approach, Bringhurst produces a highly personalized and active study of Native American art and literature, world languages, philosophy, and natural history.

In this fascinating study, Robert Bringhurst takes readers on a walking tour through the bramble of book design, from the mid-18th century to the present day. Along the way, he discovers a true "image trove” of identity, culture, and history. Transcending other works on the subject, Bringhurst here creates a truly national survey by bringing Canada's long history of aboriginal storytelling into a context of "book” - a context that goes far beyond the printed page.

Dazzling collection of poems, songs and lyric meditations.

Two powerful writers draw upon philosophy to find a roadmap for grace and equanimity in the face of the death of our planet.

The biography of one of world's most popular typefaces. "Whether one likes Palatino or not, Mr. Bringhurst's book is an instant classic."-The Wall Street JournalHermann Zapf was one of the great practitioners of the graphic arts and Palatino is probably the most widely known and used of all Zapf faces. Author Robert Bringhurst traces Palatino's development, with all its infinite permutations, and often invisible refinements through a long and fascinating history of variations and permutations, imitations and conflations-from hot metal, through the brief interlude of film setting and finally into the digital world.It is all here, in encompassing detail: a fully illustrated account of Palatino and its extended family: foundry and Linotype, Michelangelo, Sistina, Aldus, Heraklit, Phidias, Zapf Renaissance, PostScript Palatino, Palatino and Aldus Nova, and Palatino Sans. Included with the text are over 200 illustrations of design sketches, working drawings, smoke proofs and test prints, matrices, foundry and Linotype patterns.But beyond that, the book is an argument that artists who create letters can, and should, be judged by the same standards and held in the same esteem as composers who write music and artists who paint on canvas. Bringhurst asks the question, "Can a penstroke or a letterform be so beautiful it will stop you in your tracks and maybe break your heart?" In this groundbreaking and totally original book, he answers the question: "It can."