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Robert D. Denham pursues his quest to uncoverthe links between Northrop Frye and writers and otherswho directly influenced his thinking but about whomhe did not write an extensive commentary.The first chapter is about Frye's reading of Patanjali,the founder of the philosophy of Hindu yoga, whilethe second, discusses cultural mythographerGiambattista Vico, literary history and poetic language.The focus of Frye's criticism was the verbal arts,but he also had an abiding interest in both the visualarts and music; hence Frye's admiration of J.S. Bach. The essay on Tolkien examines the tendency in literaryhistory to return from irony to myth, as well as the rolethat Tolkien played in Frye's fiction-writing fantasies.In subsequent chapters, Denham explores Frye'spreference for romance and his critique of realism,which run parallel to the views of Oscar Wilde, and theirstrong shared convictions about the centripetal thrustof art, and about criticism being as creative as literature. Frye's appreciation for Whitehead's conceptof interpenetration in Science in the Modern Worldbecame a key feature of Frye's speculations about thehighest reaches of literature and religion. Frye is clearlyindebted to Martin Buber, particularly his influentialmeditation I and Thou. Aristotle, an important influenceupon Frye, was partially filtered through R.S. Craneand his The Languages of Criticism and the Structureof Poetry. Finally, the relationship between Fryeand his Oxford tutor Edmund Blunden are explored,while the last is an essay on Frye and M.H. Abramson how Frye's critical project might be vieweddeveloped in Abrams's The Mirror and the Lamp.This book is published in English.-Robert D. Denham poursuit son examen d'crivains et autres influences qui ont marqu l'minent critique Northrop Frye, mais sur lesquels celui-ci n'avait pas consacr de rflexions trs dveloppes.Le premier chapitre porte sur la lecture que fait Frye de Patanjali, le fondateur de la philosophie du yoga hindou, et le deuxime, sur le mythographe culturel Giambattista Vico, l'histoire littraire et le langage potique.Frye s'intressait aux arts visuels et la musique et Denham approfondit l'influence de J.S. Bach sur Frye. Le chapitre sur Tolkien porte sur la tendance en histoire littraire de passer de l'ironie au mythe, mais aussi sur l'ascendant de Tolkien sur la fiction fantaisiste de Frye.Dans les chapitres suivants, Denham explore la prfrence de Frye pour le romantique et sa critique du ralisme, qui trouvent cho chez Oscar Wilde, de mme que leur conviction, partage, de l'importance de l'art, et de la critique comme tant aussi crative que la littrature. L'admiration de Frye pour le concept d'interpntration prsent dans leScience in the Modern Worldde Whitehead est devenue un lment cl des rflexions de Frye sur la porte de la littrature et de la religion.Denham explore aussi le lien entre Frye et Martin Buber, dont la mditationI and Thoul'a beaucoup inspir, et celui entre Frye et R.S. Crane, qui parle beaucoup d'Aristote dans son ouvrageThe Languages of Criticism and the Structure of Poetry. Le chapitre 9 explore la relation entre Frye et son tuteur d'Oxford, Edmund Blunden, alors que le dernier chapitre porte sur Frye et M.H. Abrams, et notamment sur le projet critique de Frye compris la lumire du cadre sur la thorie critique dvelopp par Abrams dansThe Mirror and the Lamp.Ce livre est publi en anglais.
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