Bøger af Robert Dohme

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Kunst Und Künstler Des Mittelalters Und Der Neuzeit: Abth. Kunst Und Künstler Italiens Bis Um Die Mitte Des Achtzehnten Jahrhunderts. 1.-3. Bd. 1878-79; Volume 2, Part 2 Of Kunst Und Künstler Des Mittelalters Und Der Neuzeit: Biographien Und Charakteristiken; Robert Dohme Robert Dohme E. A. Seemann, 1878 Art; History; Medieval; Art / History / Medieval; Art / History / Renaissance; Art, Medieval; Art, Renaissance; Artists

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Early Teutonic, Italian, and French Masters is a book written by Robert Dohme and first published in 1880. The book focuses on the early masters of art from three different regions: Teutonic, Italian, and French. The book is divided into three sections, each dedicated to one of the regions. In the first section, Dohme explores the art of the Teutonic masters, including Albrecht D�����rer, Lucas Cranach, and Hans Holbein. He examines their styles, techniques, and influences, as well as their contributions to the art world.In the second section, Dohme turns his attention to the Italian masters, including Leonardo da Vinci, Michelangelo, and Raphael. He discusses their impact on the Renaissance and their influence on art in general. He also examines their individual styles and techniques, as well as the social and political context in which they worked.In the final section, Dohme explores the art of the French masters, including Jean-Baptiste Greuze, Jean-Auguste-Dominique Ingres, and Eug�����ne Delacroix. He discusses their unique styles and techniques, as well as their contributions to the development of French art.Throughout the book, Dohme provides detailed analyses and critiques of individual works of art, as well as broader discussions of the historical and cultural context in which they were created. The book is illustrated with numerous black and white reproductions of the works of art discussed, making it a valuable resource for art historians, students, and enthusiasts alike.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Dieses umfangreiche Werk aus dem Jahre 1887 beschreibt die gesamte deutsche Baukunst in Wort und Bild vom frühen Mittelalter bis hin zur Neuzeit. Romanik, Gotik, Renaissance, Barock und Klassizismus werden anhand vieler Beispiele ausführlich behandelt, auch Zwischenepochen und Fehlentwicklungen der Architektur werden diskutiert. Das Buch wird abgerundet durch ein umfangreiches Orts-, Sach- und Personenverzeichnis.