Bøger af Robert F. Carley

The Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: ¿ideological contention.¿ It is a theory of ideology ¿from below.¿ The Cultural Production of Social Movements shows how conflicts¿both with external political forces and disagreements, dissensus, and the decision-making process internal to social movements¿produce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver¿s break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of ¿Worker-Recovered Enterprise Movements¿ in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures. In The Cultural Production of Social Movements ideology is neither a static set of principles, nor is an unconscious orientation towards power and governance. Rather, it is the contentious, democratizing, and deliberative processes¿which become realized as tactics in protests, struggles, defeats, and victories¿that makes the relationship between movements, and what they ¿mean¿ conscious to its participants.

Juxtaposes Antonio Gramsci's work and critical race theory to offer a new understanding of tactics as a transformative practice.

Autonomy, Refusal, and The Black Bloc argues that the inventive strategic and organizational contexts that give rise to the black bloc tactic constitute a new political expression of class and, more forcefully, constitute the meaning of class politics for the late 20th and 21st century.

Collectivities, in brief, is a term describing the intellectual and creative potential of groups. Collectivities then mark a position in the connection between disciplinary fields; a position that is simultaneously productive of new knowledge and new politics. In Collectivities: Politics at the Intersections of Disciplines Robert Carley looks at the classical ideas and theorists that have influenced interdisciplinary work in the humanistic and social-scientific disciplines as well as contemporary cases of interdisciplinary meeting points, specifically cultural studies, Chicana/o studies and radical sociology (e.g. critical, liberation, public, and Marxist approaches). He discusses the intellectual, creative, and political potential of these groupings. Noting that interdisciplinary groups often come together to address political or social problems, Carley provides an analysis of these groupings as well as ways of understanding their work. He suggests that we might understand interdisciplinarity as more than merely a constellation of scholarly fields. By looking at the political contexts that inform our understanding of as well as the approaches of interdisciplinary groups Collectivities suggests some new ways to think about the production of knowledge when it occurs between disciplines.