Bøger af Robert Frost

Robert Frost came into public view with "A Boy's Will" and "North of Boston," his first short collections of poetry. While Frost's "voice" is a bit unformed in these poems, the rich ponderings of nature and love are strong, full of "sun-saturated meadows," melancholy looks at life and death, and pearly streams. "I should not be withheld but that some day/Into their vastness I should steal away," Frost announces in the first poem of "A Boy's Will." He follows up this statement with everything from eerie story-poems ("Love and a Question") to exultant ("A Prayer in Spring") to melancholy meditations on nature's beauty, love, and broken hearts. "Something there is that doesn't love a wall," is the first line of one of Frost's more typical poems in "North of Boston," a nuanced work about neighbors rebuilding a wall between them. But then there are poems like "Death of the Hired Man," a long conversation between a man and his wife, about a former worker who has returned home to die. Another is just about a mountain, as told by a farmhand. Poets take a while to reach their peak, and Frost was still starting out in these books. That said, it's astounding how good he was even in his first volume of poetry. Most striking is Frost's passion -- his enthusiasm, sorrow and thoughts seem to spill off the page. While Frost is more ethereal, even dreamy, in a "A Boy's Will," both collections possess Frost's exquisite phrasing. "North of Boston" just focuses a little more on the mundane, like hotels, farms and strangers.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

He moves in darkness as it seems to me, Not of woods only and the shade of trees. He will not go behind his father's saying, And he likes having thought of it so well He says again, "Good fences make good neighbours."

Mountain Interval is a classic collection of Robert Frost poems including the following titles: THE ROAD NOT TAKEN, CHRISTMAS TREES, AN OLD MAN'S WINTER NIGHT, A PATCH OF OLD SNOW, and many many more.Contents: "The Road Not Taken""Christmas Trees""An Old Man's Winter Night""The Exposed Nest""A Patch of Old Snow""In the Home Stretch""The Telephone Machine""Meeting and Passing""Hyla Brook""The Oven Bird""Bond and Free""Birches""Pea Brush""Putting in the Seed""A Time to Talk""The Cow in Apple Time""The Encounter""Range-Finding""The Hill Wife""The Bonfire""A Girl's Garden""Locked Out""The Last Word of a Blue Bird""Out, Out-""Brown's Descent, or the Willy-nilly Slide""The Gum-Gatherer""The Line-Gang""The Vanishing Red""Snow""The Sound of Trees"

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

zes into the street And swims the cold and the heat, He has always been there, At least so say the cobbles in the square. They listen to the beat Of the hammered bell, And think of the feet Which beat upon their tops; But what they think they do not tell. And the swans who float Up and down the moat Gobble the bread the Bishop feeds them. The slim bronze men beat the hour again, But only the gargoyles up in the hard blue air heed them. When the Bishop says a prayer, And the choir sing -Amen, - The hammers break in on them there: Clang! Clang! Beware! Beware! The carved swan looks down at the passing men, And the cobbles wink: -An hour has gone again.- But the people kneeling before the Bishop's chair Forget the passing over the cobbles in the square. An hour of day and an hour of night, And the clouds float away in a red-splashed light. The sun, quotha? or white, white Smoke with fire all alight.

This Is A New Release Of The Original 1916 Edition.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm20369687London: Stevens and Haynes, 1898. lv, 919 p.; 26 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School LibraryCTRG95-B2960Includes legislation. Includes index.London: Stevens and Haynes, 1906. 2 v.: forms; 25 cm

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School LibraryCTRG95-B2960Includes legislation. Includes index.London: Stevens and Haynes, 1906. 2 v.: forms; 25 cm

With his second collection, North of Boston, Robert Frost invites the reader to enter his world: "I'm going out to clean the pasture spring...You come too." Invoking the tradition of pastoral poetry, Frost sets himself apart as a writer familiar with the work required of rural life while composing a plainspoken music capable of "mak[ing] gaps even two can pass abreast."

"Two roads diverged in a yellow wood." These words, from "The Road Not Taken," form arguably the most famous single line in all American poetry. Taking as his theme the fine line between will and fate, Frost opens his third collection, Mountain Interval, with an undeniable masterpiece, setting the stage for the poems to come, for their attentive and plainspoken music.

"Two roads diverged in a yellow wood." For over a century, Robert Frost's poetry has struck readers for its simple, plainspoken language and quiet devotion to the soul of the natural world. Selected Poems is a generous sampling of some of the poet's early works, including "The Road Not Taken," "After-Apple Picking," and "Mowing."

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"Poet and Frost biographer Jay Parini selects sixteen poems by Robert Frost to learn by heart. Each poem is accompanied by a short interpretative essay by Parini illuminating the poem's stylistic and imaginative features"--

North of Boston, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

Robert Frost, an American poet, compiled his poems in Selected Poems (1923). Selected Poems is a wonderful list of poems from Frost's early collections, including A Boy's Will and North of Boston. It is dedicated to Edward Thomas, a friend of Frost's and a significant English poet who passed away toward the end of the First World War. Robert Frost is one of the most well-known poets in America, a voice to which generations of readers have turned in search of beauty, music, and life. He is renowned for his straightforward language and dedication to the images and rhythms of rural New England.Through the lens of rural labor, "Mowing" imagines the poet's work. The only sound that occasionally came from the woods was my long scythe whispering to the ground. What did it whisper? The speaker is unaware but carries on with his task while being hypnotized by the music's rhythm.As fall gives way to winter, the poet recalls in "After Apple-Picking" how, while ascending the ladder into the center of the tree, "Magnified apples appear and disappear, / Stem end and blossom end."Perhaps Robert Frost's most well-known poem, "The Road Not Taken," depicts a traveler in an autumnal landscape who isn't sure which way to go but is certain he must move forward.

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