Bøger af Robert Garland

An entertaining and enlightening book about how ancient peoples dealt with death-and what we might learn from themA lively story of death, What to Expect When You're Dead explores the fascinating death-related beliefs and practices of a wide range of ancient cultures and traditions-Mesopotamian, Egyptian, Hindu, Jewish, Zoroastrian, Etruscan, Greek, Roman, Early Christian, and Islamic. By drawing on the latest scholarship on ancient archaeology, art, literature, and funerary inscriptions, Robert Garland invites readers to put themselves in the sandals of ancient peoples and to imagine their mental state moment by moment as they sought-in ways that turn out to be remarkably similar to ours-to assist the dead on their journey to the next world and to understand life's greatest mystery. What to Expect When You're Dead chronicles the ways ancient peoples answered questions such as: How to achieve a good death and afterlife? What's the best way to dispose of a body? Do the dead face a postmortem judgement-and where do they end up? Do the dead have bodies in the afterlife-and can they eat, drink, and have sex? And what can the living do to stay on good terms with the nonliving?Filled with intriguing stories and frequent humor, What to Expect When You're Dead will be a morbidly delicious treat for every reader alive.

The Double Miracle: A Melodrama In One Act is a play written by Robert Garland and published in 1915. The story revolves around a young couple, Jack and Mary, who are deeply in love but face financial difficulties. They are on the verge of losing their home when a wealthy benefactor, Mr. Brown, offers to help them out. However, Mr. Brown's intentions are not entirely pure, and he asks for Mary's hand in marriage in exchange for his financial assistance. Jack and Mary refuse the offer, and Mr. Brown threatens to evict them from their home. Just when all seems lost, a miraculous event occurs, and Jack and Mary's fortunes are reversed. The play explores themes of love, sacrifice, and the power of miracles. It is a poignant and engaging melodrama that captures the spirit of early 20th-century theater.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A unique re-telling of the Greek myths.

Focussing on Athens in 490-323 BCE, How to Survive in Ancient Greece is ex-pat's guide to living in the ancient city. Covers all areas of everyday life in this ancient civilisation, from religious beliefs and travel through to what to wear.

The Piraeus was one of the largest and most impressive ancient ports in the Mediterranean. This text relates its history, treating the port as an integral yet idiosyncratic component of Attika - one which exercised a decisive influence on Athenian history.

"Surviving Greek Tragedy" is a history of the physical survival to the present day of the thirty-two extant tragedies of Aeschylus, Sophocles and Euripides.

concise introduction to Greek religion.

Most classical authors and modern historians depict the ancient Greek world as essentially stable and even static, once the so-called colonization movement came to an end. But Robert Garland argues that the Greeks were highly mobile, that their movement was essential to the survival, success, and sheer sustainability of their society, and that this wandering became a defining characteristic of their culture. Addressing a neglected but essential subject, Wandering Greeks focuses on the diaspora of tens of thousands of people between about 700 and 325 BCE, demonstrating the degree to which Greeks were liable to be forced to leave their homes due to political upheaval, oppression, poverty, warfare, or simply a desire to better themselves.Attempting to enter into the mind-set of these wanderers, the book provides an insightful and sympathetic account of what it meant for ancient Greeks to part from everyone and everything they held dear, to start a new life elsewhere-or even to become homeless, living on the open road or on the high seas with no end to their journey in sight. Each chapter identifies a specific kind of "e;wanderer,"e; including the overseas settler, the deportee, the evacuee, the asylum-seeker, the fugitive, the economic migrant, and the itinerant, and the book also addresses repatriation and the idea of the "e;portable polis."e; The result is a vivid and unique portrait of ancient Greece as a culture of displaced persons.