Bøger af Robert Hunter

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This volume has content of interest to students of American ceramics history. The topics are wide ranging and include ceramics made in Louisiana, South Carolina, and Virginia. Several articles feature thematic discussions about historic ceramics designed to promote the abolition of slavery both in America and England.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The 2020 volume is a celebration of the depth and diversity of ceramics in the American context. Beautifully illustrated articles explore the use of clay from the most basic building bricks to refined earthenwares promoting the political and economic issues of the American Revolution.

A masterpiece of architectural literature, The Links is the first book that fully addresses the complexities of the golf course in terms of design, construction, and definition of the game. Written in 1926, Robert Hunter conceptualized The Links as a complete study, a manual for golf course architects and design enthusiasts, specifically written to advance the field of study in a way that had never been tried before. Although Hunter was not a golf course architect by trade, or even a golfing professional, his background as a dedicated socialist reformer led to his unique understanding of the relationship between golf and its greater contribution to society. The challenges posed by golf, as well as the beauty produced by the singular nature of the world's most famous links, led Hunter to conclude that diversity is what makes golf the cherished game that it is. In The Links, he postulates, "It is not the love of something easy which has drawn men like a magnet for hundreds of years to this royal and ancient pastime; on the contrary, it is the maddening difficulty of it." Supported by over fifty photographs and original drawings, The Links details the essential features of an ideal golf course and provides insight into the strategies and methods used to design the world's most renowned courses. As acclaimed architect Dr. Alister MacKenzie wrote, "I have read The Links with the greatest interest. Mr. Hunter is familiar with all the great courses in the world and he has written a most entertaining book, which I am sure every golfer will read with profit. I do not hesitate to say that it is the classic of the subject."

A new annual from the Chipstone Foundation containing a diverse range of essays, new discoveries and book reviews on the latest research for interest to ceramic scholars.

A diverse range of essays, new discoveries and book reviews on the latest research for interest to ceramic scholars.

At the beginning of the twenty-first century, scholarly interest in ceramics is at an all-time high. As a vehicle for much-needed synthesis, Ceramics in America is an interdisciplinary annual journal that examines the role of historical ceramics in the American context.

Greenpeace is known around the world for its activism and education surrounding environmental and biodiversity issues. With a presence in more than 40 countries across Europe, the Americas, Asia and the Pacific, Greenpeace is undoubtedly a dominant force in the realm of environmental activism.This is the story of how Greenpeace came to be.In September 1971, a small group of activists boarded a small fishing boat in Vancouver, Canada, and headed north towards Amchitka, a tiny island west of Alaska in the Aleutian Islands, where the US government was conducting underground nuclear tests.At that time, protests against nuclear testing were not common, yet the US tests raised genuine concerns: Amchitka is not only the last refuge for endangered wildlife, but is also located in a geologically unstable region, one of the most earthquake-prone areas in the world. The threat of a nuclear-triggered earthquake or tsunami was real.Among the people sardined in the fishing boat were Robert Hunter and Robert Keziere.The boat, named the Greenpeace by the small group of men aboard, raced against time as it crashed through the Gulf of Alaska, braving the oncoming winter storms. Three weeks was all they had to reach Amchitka in an attempt to halt the nuclear test. Ultimately, the voyagebeset by bad weather, interpersonal tensions and conflicts with US officialswas doomed. And yet the legacy of that journey lives on.In this visceral memoir, based on a manuscript originally written over 30 years ago, Robert Hunter vividly depicts the peculiar odyssey that led to the formation of the most powerful environmental organization in the world.Features 40 black and white photographs taken during the voyage by Robert Keziere.

A diverse range of essays, new discoveries and book reviews on the latest research for interest to ceramic scholars.