Bøger af Robin Feuer Miller

Words, silences, and narratives as vehicles are always in flux, always fueling us, precipitating actions both virtuous and criminal, good and evil, beautiful and ugly, sublime and ridiculous. Dostoevsky, more than any other writer except perhaps Shakespeare, supplies an unending source of inspiration for the full sweep of human action, thought, emotion, and belief in all their contradictory manifestations and combinations. Dostoevsky's journeys onto these terrains are without exception unfinished, always in process, alive and precariously so, even as those inspired by him may find for themselves completion, rationales, and answers. His readers have given various names to the quality of completion embedded within uncertainty that his oeuvre conveys and which can then serve to engender religious, philosophical, or nakedly political discourses and responses, some of which would no doubt surprise, even horrify him.Dostoevsky, however, continues to stand apart; his written words, silences, and narratives expressing, through their embodiment in characters, his own unfinished journey. Ivan Karamazov's rebellious philosopher maybe have walked his quadrillion kilometers in the dark, but their mutual creator still travels on.

Fyodor Dostoevsky completed his final novel The Brothers Karamazovin 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today remains harrowingly alive in the face of our present day worries, paradoxes, and joys, observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevskys masterpiece, offering keen insights and a celebration of the authors unparalleled powers of imagination.Millers critical companion to The Brothers Karamazov explores the novels structure, themes, characters, and artistic strategies while illuminating its myriad philosophical and narrative riddles. She discusses the historical significance of the book and its initial reception, and in a new preface discusses the latest scholarship on Dostoevsky and the novel that crowned his career.