Bøger af Rod Giblett

Traditional cultures have a long and vital association with wetlands as sacred places imbued with spiritual and ceremonial significance that provide physical sustenance and sources of materials in paludiculture. Ancient Greek and Roman cultures denigrated wetlands as places of disease, terror, horror, the hellish and the monstrous. Judeo-Christian theology was syncretized with them into the mainstream denigration of wetlands. Wetlands are a marginalized community, an oppressed minority and non-binary, queer bodies of water.

For those who are looking for ways of living and being with the body, the mind/spirit and the earth that nurture the health of all three, this book presents Taoism as a path of triple cultivation. Drawing on the rich oral and textual traditions of Taoism, The Way of Taoism provides ways of living and being with the body and the earth that nurture the health of both in mutual spirituality and materiality. From the written tradition of Taoism, it brings together teaching about the Taoist body and Taoist ecology. It also draws on the living oral and scriptural tradition of the Taoist Tai Chi Society(TM)/Fung Loy Kok Institute of Taoism(TM) that has a strong connection with Buddhism and Confucianism in the 'three religions' tradition. It is the first book written by a member practitioner of this Society to bring all these aspects together. The Way of Taoism crosses the great divides and dualisms between mind and body, humans and 'the environment, ' spirituality and materiality, east and west. It provides ways of nurturing bodily, spiritual/mental and 'environ-mental' health along the path of triple cultivation. The Way of Taoism engages in cross-cultural dialogue between eastern and western culture, and in historical exchange between traditional and contemporary times. It argues against monotheism, makes a plea for polytheism and foregrounds Taoism as a polytheistic religion. It is a comprehensive guide to the way of Taoism.

With its rich blend of fiction and faction ('non-fiction') crossing between history and philosophy, and combining memoir and biography, Swamp Deaths is a unique series of detective stories written by a swamp ghost writer. It mixes different types of texts and creates new and intriguing ways of environmental storytelling that will fascinate and delight rusted-on readers of detective fiction and attract new ones. Rod Giblett is the author of 30 books of fiction and faction ('non-fiction'). He lived by a swamp in Western Australia for 28 years and wrote several books about it. He now lives in Melbourne and wrote about it as a city of ghost swamps in several books. He is Honorary Associate Professor in the Writing and Literature Program at Deakin University.Cover Image: Eugene von Guérard, Mount William and part of the Grampians in West Victoria 1865 Oil on cardboard, 30.3 x 40.6 cm National Gallery of Victoria, Melbourne Collier Bequest 1955 (1562-5).

Tracing the life and work of Rod Giblett, a leading local wetland conservationist, environmental activist and pioneer transdisciplinary researcher and writer of fiction and non-fiction, Black Swan Song weaves together memoir, essay, story, and criticism. It provides ways of living and being with the earth in dark and troubled times.

In Wetlands and Western Cultures: Denigration to Conservation, Rod Giblett examines the portrayal of wetlands in Western culture and argues for their conservation. Giblett's analysis of the wetland motif in literature and the arts, including in Beowulf and the writings of Tolkien and Thoreau, demonstrates two approaches to wetlandstheir denigration as dead waters or their commendation as living waters with a potent cultural history.

The author came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, this book traces the life of the plants and animals of the surrounding area through the seasons. It provides a cultural and natural history of this place.

New Lives of the Saints presents for the first time the works and work of many environmental apostles. It delights and inspires the reader to begin or continue to lead a life of environmental action for conservation and contemplation of nature for spiritual succor in the age of climate change.

The legend of Saint George and the Dragon is well known. It's in books and statues and on coins. But that is not the true story. Black Swan Saga tells the true story. St George is misguided by stories of heroes killing dragons, and rescuing and marrying a princess. In the true story, the Dragon and the Princess rescue St George from a wetland. An evil lord twists this true story into the legend of St George killing the Dragon in a plague-ridden swamp. When the Princess finds out about the untrue legend, she gets the true story told. The Dragon and the Lord eventually do battle. The daughter of the Princess becomes an eco-warrior and the Dragon becomes a superhero. They help save people and cities from drowning with rising sea levels and more severe floods. Black Swan Saga is an allegory for the age of global warming/climate change.

In Canadian Wetlands, Rod Giblett critiques the Canadian canon's popular representation of wetlands and proposes alternatives by highlighting the work of recent and contemporary Canadian authors, such as Douglas Lochhead and Harry Thurston, and by entering into dialogue with American writers.

Provides a fresh account of landscape photography which focuses on the settler societies of the United States and Australia. This title demonstrates the influence of settler societies on landscape photography, in which photographers captured the fascination with and the appeal of the land and its expense.

Using the rich and vital Australian Aboriginal understanding of country as a model, People and Places of Nature and Culture affirms the importance of a sustainable relationship between nature and culture. This book demonstrates the problems inherent in the notion that humans have a mastery over the Earth and projects what needs to change.

This lively new study is a critical cultural history of communication technologies, from railways and telegraphy to computers and the Internet, in which Rod Giblett argues that these technologies play a pivotal role in the cultural history of modernity and its project of the sublime.