Bøger af Romila Thapar

An overview of nationalism and its impact on the study of history from one of India's most prominent historians.   In this timely book, historian Romila Thapar delves into the complex world of nationalism and its impact on the interpretations of the past and on the discipline of history itself. History, she expounds, is no mere collection of information and chronology, and its purpose extends well beyond storytelling.   Recognizing nationalism as a powerful force that gives rise to various narratives that provide ancestry to communities and shape the direction of societies, Thapar explores how, in India, two conflicting notions of nationalism have evolved and shaped the idea of the nation. Today, one such nationalistic theory claims the victimization of one religious community by another through centuries of "misrule." Such a claim willfully ignores ample evidence to the contrary to suit a particular political and ideological purpose. Thapar counters such attempts at misrepresentation by citing several historical instances of the nuanced interface and intermingling of cultures, as well as by showing how today's conflicts have their roots in the British colonial construction of India's history. She also addresses the recent controversy surrounding the deletions of sections of Indian history textbooks published by NCERT, the Indian educational council, and suggests that the intention is more likely to be the promotion of a particular reading of history that conforms to the ideology of those in power.   Engaging and thought-provoking, Our History, Their History, Whose History? invites readers to question the authenticity of historical narratives touted by one group of nationalists, and it explores the clash between professional historians who study the past to understand our inherited present and fabricators who wield history for political gain.

Written by one of India's best-known public intellectuals,  this book is essential reading for anyone interested in India's fascinating history as well as the direction in which the nation is headed. People have argued since time immemorial. Disagreement is a part of life, of human experience. But we now live in times when any form of protest in India is marked as anti-Indian and met with arguments that the very concept of dissent was imported into India from the West. As Romila Thapar explores in her timely historical essay, however, dissent has a long history in the subcontinent, even if its forms have evolved through the centuries.   In Voices of Dissent: An Essay, Thapar looks at the articulation of nonviolent dissent and relates it to various pivotal moments throughout India's history. Beginning with Vedic times, she takes us from the second to the first millennium BCE, to the emergence of groups that were jointly called the Shramanas-the Jainas, Buddhists, and Ajivikas. Going forward in time, she also explores the views of the Bhakti sants and others of the fifteenth and sixteenth centuries and brings us to a major moment of dissent that helped to establish a free and democratic India: Mahatma Gandhi's satyagraha. Then Thapar places in context the recent peaceful protests against India's new, controversial citizenship law, maintaining that dissent in our time must be opposed to injustice and supportive of democratic rights so that society may change for the better.

The essays in On Citizenship provide the reader with clear, informed, compelling insights into the vexed issue of citizenship in India today. The four writers featured in this book-Romila Thapar, N. Ram, Gautam Bhatia, and Gautam Patel-are all experts in their fields. It breaks down the history of citizenship, how it evolved during the Constituent Assembly debates, the nationwide CAA-NRC protests and makes a compelling case against the ruling dispensation.

One of India's preeminent historians examines the role of history in contemporary society.

A powerful history of the long tradition of political dissent in India published at a moment when the very idea of dissent is under attack.

In 1957, renowned Indian historian Romila Thapar visited China, where, together with Sri Lankan art historian Anil de Silva, she worked at two cave sites that were the locations of Buddhist monasteries and shrines from the first millennium CE. The first site was the then lesser known Maijishan in north China, and the second was the famous site of Dunhuang on the edge of the Gobi desert in Northwest China. Now, decades later, she is supplementing the academic work that emerged from that trip with a captivating travelogue: Gazing Eastward takes readers back to midcentury China, through the observations that Thapar made in her diary during her time at the two archaeological sites and her trips there and to other sites. Traveling by train or truck, Thapar met people from throughout the country and all stations in society, from peasants on a cooperative farm to Chairman Mao himself. An enchanting document of a long-lost era, Gazing Eastward is a marvel, a richly observed work of travel writing that brings a time and a place fully to life. Â

The claim that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. Romila Thapar, a distinguished scholar of ancient India, guides us through a panoramic survey of the historical traditions of North India, revealing a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature. The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy amid social change. Spanning an epoch from 1000 BCE to 1400 CE, Thapar delineates three strains of historical writing: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina monks and scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptional evidence, regional accounts, and literary forms such as royal biographies and drama are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

A history of India upto 1300 AD introducing the beginnings of India's cultural dynamics

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the Mahabharata and in Kalidisa's fourth-century Sanskrit play, Sakuntala and the Ring of Recollection. In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from Sakuntala and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

What is true nationalism? What is pseudo-nationalism? What is anti-national? What is patriotism? Is the shouting of nationalist slogans important to prove one's patriotism? Why is Bharat Mata ki Jai so important to the right wing? Why does the law of sedition continue to exist on the statute book of an independent country? Who should the sedition law be used against? Why is cultural freedom important to a nation? What sort of India do we want? What sort of Indians do we want to be? What sort of

Nations need identities. These are created from perceptions of how societies have evolved. In this, history plays a central role. Insisting on reliable history is therefore crucial to more than just a pedagogic cause. Delicate relationships between the past and present or an exacting understanding of the past, call for careful analyses. Understanding India's past is of vital importance to the present. Many popularly held views about the past need to be critically enquired into before they can be taken as historical. Why is it important for Indian society to be secular? When did communalism as an ideology gain a foothold in the country? How and when did the patriarchal system begin to support a culture of violence against women? Historian Romila Thapar has investigated, analyzed, and interpreted the history that underlies such questions throughout her career. Through the incisive essays in The Past as Present, she argues that it is of critical importance for the Indian past to be carefully and rigorously explained if the legitimacy of the present, wherever it derives from the past, is to be portrayed as accurately as possible. This is particularly crucial given the attempts by unscrupulous politicians, religious fundamentalists, and their ilk to wilfully misrepresent and manipulate the past in order to serve their present-day agendas. The Past as Present is an essential and necessary book at a time when sectarianism, false nationalism, and the muddying of historical facts are increasingly becoming a feature of our public, private, and intellectual lives.

The question of which of us is Aryan is one of the most contentious in India today. In this eyeopeningbook, scholars and experts critically examine the Aryan issue by analysing history,genetics, early Vedic scriptures, archaeology and linguistics to test and challenge varioushypotheses, myths, facts and theories that are currently in vogue.Romila Thapar tackles the definition of the 'Aryan' in her inimitable style by tracing theorigins and progression of the 'Aryans' from old Iranian texts such as the Zend-Avesta,archaeological excavations and colonial interpretations made by Max Müeller. She alsotouches upon the following fields of enquiry: historiography, archaeology, linguistics,comparative mythology, social anthropology and, more recently, genetics. Michael Witzelinvestigates the origins of the early 'Aryans' within and outside India. Jaya Menon examinesdata from excavations of Harappan culture. Kai Friese lucidly explains the Rakhigarhiresearch which has been talked about a lot in the recent past and Razib Khan providesinsights arising from research into genetics.