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meXicana Encounters charts the dynamic and contradictory representation of Mexicanas and Chicanas in culture. Rosa Linda Fregoso's deft analysis of the cultural practices and symbolic forms that shape social identities takes her across a wide and varied terrain. Among the subjects she considers are the recent murders and disappearances of women in Ciudad Juarez; transborder feminist texts that deal with private, domestic forms of violence; how films like John Sayles's Lone Star re-center white masculinity; and the significance of la familia to the identity of Chicanas/os and how it can subordinate gender and sexuality to masculinity and heterosexual roles. Fregoso's self-reflexive approach to cultural politics embraces the movement for social justice and offers new insights into the ways that racial and gender differences are inscribed in cultural practices.
This work takes readers on a critical tour of the chicano cinema that emerged during the chicano power movement of the late 1960s - when films were staged on the ground of anti-racism politics in the United States - and continues through more recent films of the 1980s and 1990s.
Focusing on Chicano discourse, this book examines ethnography, feminism, the politics of representation, education and post-modernist thought and the Latin position in the urban political economy.
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