Bøger af Rossella Menegazzo

The first and only survey of Japanese design as seen through the lens of Japan's traditional colour spectrum - an exquisitely packaged fresh take on a universally popular topic

The beauty and essence of Japanese design through 300 objects.

The first and only survey of Japanese design as seen through the lens of Japan's traditional colour spectrum - an exquisitely packaged fresh take on a universally popular topic.The traditional colours of Japan have been in use since the seventh century, originally to indicate rank and social hierarchy but, over time, their significance has broadened to include all manner of designed objects. This landmark volume celebrates a curated selection of 200 colours (iro in Japanese), with each traditional shade illustrated by one or more items - ranging from 16th-century kimonos to contemporary chairs, humble kitchen utensils to precious ceramics - providing a unique route to a deeper appreciation of Japanese design. Expertly bound in a traditional Japanese style, this stunning book is a beautiful design object in its own right and is a must-have for all lovers of design.

Hokusai, a grand protagonist of ukiyo-e , his legacy and powerful influence on European art. Katsushika Hokusai (1760¿1849), an unchallenged master of ukiyo-e , the Floating World, active between the late 1700s and the first-half of the 1800s, stands out on the art scene not only for his Great Wave and the series Thirty-six V iews of Mount Fuji of which the print is a part, but also his great versatility expressed in his treatment of all types of subjects: from landscapes to nature, kabuki actor portraits, beautiful women, warriors and even ghosts and spirits, semi-legendary beings and animals. Hokusai is also associated with many changes: of residence, of name (over thirty, even though the main ones are six), of style, with dozens of followers, each of which, in some way, represents one aspect in the Master¿s vast oeuvre. These include Shinsai, Hokkei and Gakutei who influenced the following generation of artists, together with another individual, who is not considered a direct student of Hokusai but who nonetheless determined in an interesting way the developments in prints of beauty and landscape from 1810 to 1830: Keisai Eisen. Through a selection of over 250 works from the Municipal Museum of Chiba and other Japanese collections, this publication offers a reading of Hokusai that also includes his legacy, accompanying and comparing his output with that by others who followed in his footsteps and gave life to new lines, forms and balances of colour within the classic themes of ukiyo-e and landscape, nature, beauty, actors, heroes and warriors.

An unsurpassed master of post-war Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man¿s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life¿s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theatres (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; up to the poorest Japan of mining villages and finally his most disturbing and modern work portraying Hiroshima and its unhealed wounds