Bøger af Roy Strong

Every student of English history will enjoy this story, which is delightfully easy to read and remarkable for its insights into the deepest consequences of individual actions.The Story of Britain is an accessible one-volume history that clearly depict Britain's origins-and explain how the past shaped the nation's current identity. He begins the story of Britain from the very earliest recorded Celtic times, and with this new edition has now brought it up to date via the Blair years and into the present day of Brexit Britain.A magnificently eloquent volume, the narrative chronicles two thousand years of Britain's history, the triumph of its people, the glory of its culture, and its dramatic influence on other nations of the world, especially the United States. It is a remarkable achievement and, with his passion, enthusiasm and wide-ranging knowledge, Strong is the ideal narrator. The book is ideally suited for everyone who cares about Britain's past.

Based on a lifetime's work in the field, Sir Roy Strong offers an expert and engaging new look at portrait painting in Stuart England, studying the sitters as much as the artists.Sir Roy Strong has been writing for over half a century on the painters of the courts of James I and Charles I. While taking account of the mass of scholarly work that has appeared during that time, this book offers a very different approach to the subject. Until now, the universal method has been to look at the artists, in particular van Dyck, and to see half a century of painting through the six years when the latter was in England. Instead, we are offered a view based on portraits and their sitters, and particularly on the dramatic change in their attitudes, from the still medieval (if Protestant) aesthetic of the Elizabethan age to the ambiguity of one which replaced that aesthetic by one based on the Catholic baroque of European art.Portraits after all are permanent records of how a sitter wished to be seen by posterity as well as in his or her own period. The obsession with the painter and with attribution has tended to obscure that very basic fact. They are inevitably self-fashioning images that chart the new mythology not only of a new dynasty, the Stuarts, but also of a burgeoning and assertive aristocracy. Unlike their spectacular court masques, however, which were gone in an evening of glory, the portraits are still with us - or, rather, those that have survived. Through them we are able to trace a new iconography for a new dynasty and also an aesthetic revolution which moved away from the Elizabethan world of ambiguity and hieroglyphs to one set in space defined by the new optics of the Renaissance. But the title, The Stuart Image, is designed to emphasise that above all what we see is the image and not the reality.

The spectacular festivals mounted by the princes of the Renaissance were both a marriage of the arts and an expression of political theory. Festivals are a vital part of European cultural history. This is a guide to their origins and purpose, and their influence.

Beautifully illustrated narrative history of the English country church In his engaging account, Sir Roy Strong celebrates the life of the English parish churchFrom the arrival of the missionaries from Ireland and Rome, to the beautiful architecture and rich spirituality of medieval Catholicism;