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Often the most powerful and moving stories are generated by writers who return time and again to a particular idea, theme, or image. Obsession in a writer's imagination can lead to accomplishment or to self-destruction. Consider Poe and his pale, dead bride; his fascination with confinement and mortality; his illness and premature death. Or Flannery O'Connor's far less soul-crushing fondness for peacocks. Some writers pay a high price for their obsessions, while others maintain a crucial distance. Whichever the case, obsessions can produce compelling fiction. Little Visible Delight is an anthology of original stories in which eleven authors of dark fiction explore some their most intimate, writerly obsessions.
For most of her fourteen years, Tasha Davis has languished in the rural-suburban town of Skillute, Washington. Her parents offer plenty of comfortable-if stifling-emotional support, but what she needs is a best friend.In her final year at Clark Middle School, Tasha meets a strange, new classmate. Briar Kenny is the self-styled rebel Tasha wants to be, and the Davises are the kind of close-knit family Briar covets. A moment of unexpected violence spawns a secret between the two girls and awakens a mystery from the past.Unknown to Tasha and Briar, their secret also attracts something monstrous from a forgotten corner of Skillute. The town is haunted by its history, scarred with the lingering spirit of broken and scattered families, abandoned real estate ventures, and old scores never settled between neighbors. But there's more to the place than memory and legend. Beneath the landscape something malignant rages, and it will stop at nothing to find a route into the physical world.
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