Bøger af Salman Ahmad

Sadequain's catalog covering his work from 1950s through 1980s.

Dear readers!!! It's not just a book but its an example of how parenting goes wrong being unknown of. It can be proved as a guide for medical professionals also as a set live example. Teachers, students, parents, relatives all must read it atleast once. Its a real life story not a fictitious or weaved one. It reveals the effect of contaminated relations on the lives of children and affects of wrong relatives. Abuses done by parents and relatives and how a child develops psychological as well as psychiatric illnesses along with physical health issues just for sake of ego of either parents or relatives. A live example for Psychologists and Psychiatrists to understand their patients well. Medical students can also take a heavy dose of knowledge to understand their patients well both adult and/or children & infants as well. Pediatricians must include it in their reading diet.

This book is a detailed analysis of Sadequain's mural titled Treasures of Time, which pays tribute to mankind's intellectual advancement over time by depicting forty six eminent personalities in the history of mankind. At one end of the mural is a young worker of the Stone Age using a primitive tool with his bare hands. The imagery in the mural then moves to the right tracing the passage of time and captures the glorious days of the Greek civilization, followed by the European renaissance followed by the golden age of Arabs, then at the other end are shown 20th century luminaries, presenting a visual narration of history.

This book by SADEQUAIN Foundation titled Drawings by SADEQUAIN is a comprehensive collection of more than 350 black and white drawings. It is a result of more than four years of research and discovery of his drawings spread from Japan, Singapore, Pakistan, India, Middle East, Europe, and North America In technical terms the drawings in this book display the unity of disciplines of drawing, calligraphy as well as the traditions of Urdu and Persian poetry which Sadequain shared to his core. Most importantly, the drawings in this book show how Sadequain's lines, whether complex or simple, performed magically with the complexity of a well-orchestrated symphony; they represent poetry of color, harmony of rhythm, and the power of a tempest. It is hoped that this book will be helpful in analyzing the imagery in Sadequain's drawings and establishing the links to appropriate historical and cultural context. Its empirical research and textual contents are balanced to address the sensitivities that attempt to compare and contrast arbitrary and loaded concepts.

This book by SADEQUAIN Foundation titled Lines and Drawings by SADEQUAIN is the first comprehensive collection of more than 300 drawings. It is a result of more than four years of research and discovery of his drawings spread from Japan, Singapore, Pakistan, India, Middle East, Europe, and North America In technical terms the drawings in this book display the unity of disciplines of drawing, calligraphy as well as the traditions of Urdu and Persian poetry which Sadequain shared to his core. Most importantly, the drawings in this book show how Sadequain's lines, whether complex or simple, performed magically with the complexity of a well-orchestrated symphony; they represent poetry of color, harmony of rhythm, and the power of a tempest. It is hoped that this book will be helpful in analyzing the imagery in Sadequain's drawings and establishing the links to appropriate historical and cultural context. Its empirical research and textual contents are balanced to address the sensitivities that attempt to compare and contrast arbitrary and loaded concepts.

Sadequain's paintings, based on the poetry of Ghalib, Iqbal and Faiz represent a confluence of the most extraordinary talent of the art and Urdu literature. The extraordinary collection of 53 illustrative paintings and two murals by Sadequain included in this book, based on the visions of the greatest poets of the Urdu language, Ghalib, Iqbal, and Faiz reminds us that, renouncing the seduction and eschewing the allurement of material entrapments can help levitate mankind to an exalted state.

This book translates Sadequain's intellectual discourse worthy of coining its own domain: SADEQUAIN-ISM. Sadequain was not an ordinary talent. He was a genius, a polymath, the likes of him are born in centuries. His painterly genius knew no limits, he revolutionized the craft of calligraphy into calligraphic art, and he was recognized by the international scholar(s) as the most important Urdu poet of Rubai in modern times. More than being a painter, a calligrapher, and a poet, Sadequain was a philosopher, who used his extraordinary skills in the three genres to pronounce his views on mankind, man's purpose on earth, man's psychology, man's basic instincts, development and interaction of society or the lack there of it, and the basic truth about good and evil.

This book by SADEQUAIN Foundation titled Lines and Drawings III is part of a series of books of the same title. It contains delicate and scintillating drawings by Sadequain which demonstrate his masterful skill as an artist, flight of his imagination, and depth of his intellect. In technical terms the drawings in this book display the unity of disciplines of drawing, calligraphy as well as the traditions of Urdu and Persian poetry which Sadequain shared to his core. Most importantly, the drawings in this book show how Sadequain's lines, whether complex or simple, performed magically with the complexity of a well-orchestrated symphony; they represent poetry of color, harmony of rhythm, and the power of a tempest. It is hoped that this book will be helpful in analyzing the imagery in Sadequain's drawings and establishing the links to appropriate historical and cultural context. Its empirical research and textual contents are balanced to address the sensitivities that attempt to compare and contrast arbitrary and loaded concepts.

This book is a celebration of the most intriguing and innovative artwork of a national icon, who crossed the traditional and predefined boundaries of artistic forms, norms, subjects, objects, shades, dimensions, and every other confinement that he deemed as an obstruction. He did not work under some preordained plan, but rather allowed his instincts guide him freely toward the peaks of perfection. Compliance was not in his genes. The book documents the period Sadequain lived In paris during the 1960s and produced some the most explosive pieces of work, which have never been cataloged in the past.

The book is a collection of Sadequain's calligraphic masterpieces. It contains over 160 images of stunning calligraphies, that helped set the vogue of calligraphic art. In addition the book contains insightful information on Sadequain's life and work.

This book by SADEQUAIN Foundation titled Collection of Drawings - SADEQUAIN 1970 contains some of the most important drawings by Sadequain which demonstrate his masterful skill as an artist, flight of his imagination, and depth of his intellect. In technical terms the drawings in this book display the unity of disciplines of drawing, calligraphy as well as the traditions of Urdu and Persian poetry which Sadequain shared to his core. Most importantly, the drawings in this book show how Sadequain's lines, whether complex or simple, performed magically with the complexity of a well-orchestrated symphony; they represent poetry of color, harmony of rhythm, and the power of a tempest. It is hoped that this book will be helpful in analyzing the imagery in Sadequain's drawings and establishing the links to appropriate historical and cultural context.

A majestic horse stands proudly, its muscular body adorned with a flowing mane and tail. Its expressive eyes radiate intelligence and grace, while its strong legs convey power and agility. Every stroke captures the essence of this magnificent creature, embodying freedom and untamed beauty on the canvas.

This book by SADEQUAIN Foundation titled Drawings - Exquise et Profonde by SADEQUAIN consists of a series of titillating drawings accompanied by equally tantalizing quatrains that Sadequain did strictly for private consumption. These private drawings were never meant to be publicized because of their sensitive subject matter. If this was not true then he would have published them himself as he published about a dozen books based on his work in his lifetime. But these drawings and quatrains were published after Sadequain passed away by an outsider without permission of Sadequain or his family. Because these drawings were already publicized, therefore SADEQUAIN Foundation decided to publish them under its label so they will become part of the official record. It is hoped that this book will be helpful in analyzing the imagery in Sadequain's drawings and establishing the links to appropriate cultural context. Its empirical research and textual contents are balanced to address the sensitivities that attempt to compare and contrast arbitrary and loaded concepts.

This book by SADEQUAIN Foundation titled Figurations Mystique by SADEQUAIN contains some of the most important drawings by Sadequain which demonstrate his masterful skill as an artist, flight of his imagination, and depth of his intellect. In technical terms the drawings in this book display the unity of disciplines of drawing, calligraphy as well as the traditions of Urdu and Persian poetry which Sadequain shared to his core. Most importantly, the drawings in this book show how Sadequain's lines, whether complex or simple, performed magically with the complexity of a well-orchestrated symphony; they represent poetry of color, harmony of rhythm, and the power of a tempest. It is hoped that this book will be helpful in analyzing the imagery in Sadequain's drawings and establishing the links to appropriate historical and cultural context.